Live Collision, the international live art festival, is on in Dublin until Saturday and there’s lots of fantastic things happening over the next few days.
Things like Dial Ulrike and Eamon Compliant by Blast Theory. My first job after university was with Blast Theory, working as a intern on Day of the Figurines in the Royal Festival Hall in London. It was a game played by text message and myself and the other game operators looked after the model town and keep it up-to-date, showing where everyone was and what was happening. It ran for 24 days – each day was an hour in the life of the game. It was an interesting first job, and they were lovely people to work with.
Dial Ulrike and Eamon Compliant sounds very different to Day of the Figurines. (And to be fair, generally all of Blast Theory’s work is very different to what has gone before.) This time “the game” takes place down the line of your mobile phone and sounds like a live action “Choose Your Own Adventure”. It’s free and running until April 27th.
There’s an interesting double bill tonight – Veronica Dyas’ This Is My Body and When We Were Birds by Anna Furse. The first piece seems to be very much about Dublin and the state the city and country is in right now, while the second is more about our place in the wider world. Tickets for both are €12/15.
I also really like the sound of Inspiration Exchange, presented by Third Angel and happening in the foyer of Project Arts Centre tomorrow (Friday, April 25) at 3-6pm and the Study Room Boxes which you can borrow from The Library Project in Temple Bar. There’s also the closing night Live Art Party which will include a summation from the Inspiration Exchange, along with other performances. All of these events are free, as is a new durational performance piece by Amanda Coogan I’ll sing you a song from around the town which is on in Project Cube on Saturday, 4-8pm.