I started rewatching ER at the beginning of 2020. It has kept me company throughout the pandemic, during the first scary lockdown, the milder second lockdown in October 2020 and the never-ending lockdown at the start of 2021. (And I’m still not finished, partly because there are 15 seasons but also because I’ve been watching lots of other things as well.) In April and May last year, when I was very anxious about everything, it helped to watch someone else’s terrible day play out on ER. It also helped that the first few seasons are really good. The storylines are diverting and the writing is quirky and fun. It feels like an ensemble, workplace drama. It’s about more than just the hospital. It stays pretty good until around the end of season eight, when Mark Green dies and Dr Romano has his first run-in with the helicopter. After that they start recycling storylines, and it gets a bit sanctimonious. By the end of season 12, you start to see the influence of Grey’s Anatomy – the final episode ends with a Snow Patrol song and the lives of several beloved characters are in peril.Continue reading “How do you cure ignorance?”
At the end of 2018, Theatre Forum carried out a survey on pay and working conditions in the performing arts. The results of the survey were accompanied by testimonials from artists who spoke candidly about their financial struggles. These were well-known theatre and dance artists, artists who make a new show every year, who have won awards for their work and toured internationally. They are so obviously successful in their chosen careers that it’s natural to assume that they would also be making a good living but despite appearances, their livelihoods still felt precarious. The results of the survey proved that this was more than just a feeling. According to the 144 artists and creative practitioners and 97 arts organisations who responded, average weekly earnings in the arts in 2018 were 30% lower that the average across all sectors (€494.98 compared to €740.32). As well as low wages, the precarious nature of the work means a lack of financial stability, as well as difficulty keeping up with PRSI contributions. There’s also the fact that most arts organisations do not make employer pension contributions or provide a top up to state maternity benefit.
All year we’ve been told that the current climate emergency means that we need to say goodbye to business as usual, that we cannot keep living as we currently do if we want the planet to still be habitable beyond the next 10-15 years. In a lot of ways, Christmas is the exact opposite of sustainable living. Christmas is about eating too much, giving presents, sparkly things, buying stuff, spending too much money and general rampant consumerism. It’s also about tradition. It’s a festival dedicated to doing things because that’s how we’ve always done them. This can mean everything from hanging the 20-year old Christmas decorations that your parents bought the first Christmas they were married to boiling up a big pot of Brussel sprouts even though nobody will eat them. Obviously some traditions are more ecologically sound than others. But this Christmas, for the sake of the planet, let’s embrace change and do things differently.
It felt like January would never end but it’s finally drawing to a close and on Friday it will be February. Soon, there will be more light in the sky and green buds appearing everywhere. It’s a new beginning, and there is still time for new year’s resolutions. The resolutions you made in the final days of December might be cracked and broken but you can still make fresh, bright new ones! Resolutions that aren’t about punishing yourself for the excesses of Christmas. Resolutions that don’t involve giving things up.
Here are six resolutions that are designed to add something to your life and make it better. They are all a bit earnest and do-gooder-y but they are definitely better than a juice cleanse.
I’m a little late with this but I believe in celebrating the full Twelve Days of Christmas, and this is a Christmassy activity so I feel it’s ok to do it up until Jan 6th. (And yes, maybe I’m just making excuses. My next piece is about new year’s resolutions and I probably won’t get that one online until February. And then I’ll tell you that January doesn’t really count and all sensible people start their new year’s resolutions a month late.)
This is not a year in review post, or an attempt at a Best of. It’s a personal look back at the last year and the art, events and moments that I enjoyed.
(The referendum happened over four weeks ago and I have spent almost that long writing this blog post. When I started writing about this, I discovered that I had a lot to say on the issue and it took some time to wrangle all those words and feelings into something interesting and coherent and not 5,000 words long, but it felt worth doing.)
The Theatre Forum-TheatreNI conference starts today in the beautiful Lyric Theatre in Belfast. The title of the conference is Intersections and there will be discussions on borders, gender equality and arts policy. There’s also a Fun Palaces workshop with Stella Duffy for community groups, after the conference ends on Thursday. I’m a big fan of Fun Palaces – I wrote about it here – and would love to see one in Dublin. You can find the full Conference Programme here.
There’s also a session on climate change, another topic close to my heart. In order to walk the walk, as well as talk the talk the organisers are working to reduce the waste produced by the conference. This means less conference materials, proper dishes used for the catering and instead of a conference bag and printed material, each delegate will get a reusable take-away glass Keep Cup. I love this idea. Waste reduction is so important, particularly plastic which does not decompose for thousands of years. The way we use plastic now – bags, take-away cups, straws, fruit in plastic trays – is learned behaviour, which means that we can unlearn it and start doing things differently. There has been a shift in attitude towards plastic waste this year with things like the Shop & Drop event in April when shoppers were encouraged to leave all their waste behind at the supermarket and the recent EU’s proposal to ban single-use plastic.
It’s not going to be easy – once you start looking, you realise plastic is everywhere – but it’s not impossible. Here are some of the things I’ve been doing to use less plastic this year.
1. I don’t have a Keep Cup because I don’t drink much takeaway coffee, but I do have a fancy glass water bottle. It’s a bit heavier than plastic but I don’t have to worry that chemicals are leaching out of the plastic and into my water! Emboldened by the Refill Project, I’ve often asked staff in bars and restaurants to refill it for me and they’ve always obliged. (These weren’t places on the Refill map, the project just made me feel more comfortable about asking for free water.)
The only place I don’t take it is the airport because I don’t think they’d let me bring glass on the plane. However I have learnt that you are allowed bring empty bottle through security and fill them up at the water fountains on the other side.
2. I switched from hand-wash to solid soap. It instantly cuts down on the amount of plastic coming into the house and ending up in the sea. Bí Urban on Manor Street in Stonybatter do a nice soap which they make using oils discarded in local food production, which is just a little bit Fight Club. It’s a real feel good soap because it’s zero waste and it’s locally made.
3. I started using a bamboo toothbrush. This will make you feel like a bit of a hippy but it’s also a very easy way to reduce plastic and you stop noticing the difference after a few days. (It does feel a bit weird at first!) I got mine in Bí Urban but they are available online as well.
4. I’ve been using more Lush products in their reuseable plastic pots. Some people are very anti-Lush. The strong smell, the bright colours and the overly enthusiastic staff are all too much for them. I have never bought a bath-bomb in my life but I love Lush for their reusable pots. For that it’s worth letting them bombard my senses for a few minutes. They take the pots back off you and reuse them again and again. If you bring back five, you can swap them for a free face mask.
5. I originally started buying stuff from Lush because you can take their solid face-wash and shampoo bars in your hand-luggage when you fly. They also have zero packaging. I love their Angels on Bare Skin face wash and I’ve used Godiva shampoo as well; the jasmine smell is really lovely. I also restarted started using a solid deodorant, I’m not sure how effective it is but it does involve zero plastic!
6. Away from the personal hygiene plastics, there’s the food plastic. I think supermarkets are slowly coming around to the idea that everything doesn’t need to be wrapped in plastic and you can get loose fruit and veg in most shops now. Just because they little plastic bags there, doesn’t mean you have to use them. You can just put six oranges and four apples and a couple of potatoes into your basket! There are also some places like Small Changes in Drumcondra and the Dublin Co-op in The Liberties that are cutting out the plastic used for things like raisins and lentils and pasta. They ask you to bring your own containers and just fill ’em up.
7. Most of these alternatives do cost a bit more than the plastic-wrapped version. I think costs will come down as it becomes more common to ditch plastic, but if you don’t have the extra cash there are still ways to cut down on your plastic just by being generally more aware of what you’re buy. Bring a bag with you, avoid straws and plastic cutlery if you can, avoid things with an excess of plastic like ready meals or salads in giant plastic bowls.
On April 23 2018, Maser’s Repeal mural was removed from outside Project Arts Centre for the second time. You know the one I mean. It was commissioned by the Andrea Horan of the HunReal Issues in 2016 and since then it has appeared in hundreds of profile pictures, on t-shirts, in windows, on badges and stuck to lamp posts around Dublin and beyond. I’ve often seen it above articles about the referendum in Irish and international press. It was only on the wall in Temple Bar for a couple of weeks but it has spread across the world.
In 2016, Project were told to remove it because they didn’t have planning permission. When the date for the referendum was announced, planning permission was no longer necessary and it went back on the wall. Less than a week later, they were told to remove it again. This time it was the Charities Regulator who had taken issue, and in a very murky reading of the Charities Act deemed the mural not in line with Project’s charitable purpose, and told them their charitable status was at risk if they did not cease “political activity”. Project is an arts centre. Their purpose is to present and develop contemporary art. They presented a mural by Maser, an award-winning artist that has displayed work around the world.
A week after Project received the order from the Charities Regulator, author Una Mullally was told by Dublin City Council that they were canceling her event in the International Literature Festival Dublin. The event was a panel discussion with contributors to Una’s Repeal the 8th Anthology. The anthology is a beautiful collection of stories, poems, essays and photos about the repeal movement and the effect of the 8th amendment. (Available in all good bookshops now!) The reason given by Dublin City Council was that they could not give a platform to one side of a referendum debate. That makes some sense, but the festival programme was announced on April 11th, two weeks after the date for the referendum was set. If Dublin City Council had a problem with the event, why was it programmed? To pull it after tickets were sold feels reactionary and I wonder if the disciplinary action that Project were threatened with affected the decision making process.
But censoring art doesn’t make it disappear. Maser’s mural is everywhere. Since Project painted over (most) of their mural last month (an act that Artistic Director Cian O’Brien described as “defiant compliance”), the image has already popped up on the Amnesty building and currently adorns the windows of Panti Bar. That gorgeous Repeal heart is not going anyway.
The cancelled Repeal event took place last Monday, though not as part of the Literature Festival. Smock Alley Theatre, where is was scheduled to take place, offered to host it as a separate event. I am very glad they did because it was a great discussion. Censorship and gate-keepers came up, as well as stories about people being bullied or shamed into silence by those in power. There were also readings and performances from pieces in the book and it didn’t feel at all like a political meeting.
I’ve been to a few events in the Literature Festival and the referendum has come up more than once. I’ve seen lots of Yes badges and Repeal jumpers on and off stage, perhaps in a show defiance against the cancellation and perceived censorship. Pushing back against censorship is so important. The alternative is a climate of fear that becomes more fearful with each act of censorship and before long, people start to police themselves.
This week, Not At Home, a touring art installation about women who travelled for an abortion, had venues cancel on them days before they were due to exhibit. This is particularly egregious because one of the aims of the piece was to share the stories of women who had been silenced by shame and stigma. Now their voices are being silenced again. The venues quoted the same Charities Act that was used against Project Arts Centre as their reason for cancelling the event. The venues didn’t wait to be told if they were in breach of the law, they pulled out in case it became an issue. In Galway a publicly-funded organisation and two private venues pulled out of plans to present the exhibit. It was supposed to take place at Crawford College of Art and Design’s gallery (in partnership with UCC and Cork Opera House) but the invitation was withdrawn at a late point. The Gallery cited Charities Regulator guidelines and a wish not to “jeopardise” its charitable status or “become a focus for such controversy”.
Does this mean that artists now have to wonder if the art they want to make will be acceptable to venues, or if they might decide it’s not worth jeopardising their charitable status for? What happens if artists don’t feel able to take that risk and instead avoid political issues or “controversial” opinions. It’s not that long ago that talking about abortion or calling for repeal of the 8th amendment was considered a controversial opinion. It’s because people spoke up and refused to be silenced that we get to vote on that issue this week.
Art has to be allowed to be political. It has to be able to explore controversial territory and rail against the status quo. Good art helps spread ideas. It opens minds and helps us see things in new ways. It makes change possible because it shows us new ways of doing and thinking and being. Artists need to be supported and encouraged to do that. We have brave venues that are willing to support risky work but we need more of them, especially outside Dublin.
We should all do what we can to support anyone who speaks up against injustice, whether they are artists or journalists or whistle-blowers. We need to listen to them and do what we can to amplify those voices.
A Yes Vote on May 25th is one way to change the status quo a little bit, and a way to thank those who have spoken out.
Climate change is a hard topic to get your head around. It’s depressing thing so we avoid thinking about it. It can make you feel powerless. I don’t know much about climate change but I know it’s happening and that we are causing it. And because it’s caused by us, we also have the power to fix it.
We are already seeing the effects of a changing climate in Ireland. Last month we had a major weather event that put the country under lock-down for two days. The Beast from the East was compared to the heavy snowfall of 1982 but just because this has happened before doesn’t mean climate change isn’t to blame. Climate change causes these once in a generation events to happen much more frequently. We’d already had a status red-warning in October 2017 for Storm Ophelia, which started off as a hurricane in the Pacific Ocean. We don’t generally get a lot of hurricane warnings in Ireland. These aren’t the first extreme weather effects in Ireland but they do seem to be becoming more frequent.
A week before Storm Ophelia the Citizen’s Assembly gathered in Malahide to discuss climate change. The topic they had to consider was “How the State Can Make Ireland a Leader in Tackling Climate Change.” This was an extremely ambitious proposition. According to the 2018 Climate Change Performance Index, a report of countries taking action against climate change, Ireland ranked 49 out of 59. It was the worst performing county in Europe, dropping 28 places from the previous year. We have a long way to go before we can hope to be considered a leader in tackling climate change.
All the presentations from the Citizens’ Assembly are available here and here. (Links to the agendas for the two weekends, the recommendations and the presentations slides are here.) It is a wonderful information resource if you want to learn more about climate change and it’s effects. If you are not sure if it’s real or that human activity is to blame, this presentation should convince you otherwise. It’s also demonstrates what the rising temperatures mean for the future.
I like the Citizens’ Assembly. I believe putting a group of non-politicians in a room, educating them on the topic at hand and asking them to consider it from all angles before making their recommendations is a good thing. I admire those who take the time to ask questions and interrogate the issues. I love that it’s all streamed online and available to watch in any part of the world. (Except in areas of rural Ireland where the internet probably wouldn’t cope with streaming video.) But it is a process set up with restrictions, so while I was very optimistic about the kind of ideas that might come out of a Assembly with such an ambitious title, I was disappointed that the recommendations the citizens were asked to vote on were all pretty small, sometimes vague measures.
The Assembly focused on three areas – Energy, Transport and Agriculture. Members voted to accept all the recommendations by a high margin. The lowest vote was the 80% of Members who said they would be willing to pay higher taxes on carbon intensive activities. One hundred percent of the Members recommended that the State should take a leadership role in addressing climate change. The full list of recommendations can be found here. They included things like increasing investment in public transport, reducing food waste and taxing greenhouse gas emissions. They are all small changes but they would be better than nothing. Of course, the government does not have to take on any of the recommendations just because the Citizens’ Assembly says they should.
The two most dangerous myths around climate change are that it’s something that’s going to happen years and years from now and that there’s nothing we can do to stop it. We have seen that it is already happening; we know that it’s a threat now. There are also a lot of things can we can do to stop it. All we need to do is reduce the carbon we are putting into the atmosphere and we can start doing that right now.
There were optimistic presentations at the Citizens’ Assembly about the changes to be made to tackle climate change. Brian Motherway’s presentation describes the low carbon home – a warm, well-insulated house with solar panels to heat the water and where the electricity bill is about €200 a year.
He describes how newly built homes, ones that adhere to building regulations, produce 30% less carbon on average than older homes. It doesn’t cost that much more to achieve this standard when building a home from scratch. However it costs more to add them later, so it’s really important that those regulations are not ignored as we struggle to keep up with the demand for new homes. The government needs to make sure that the regulations are met. The bad habit our politicians have of trying to keep the builders and property developers sweet could adversely affect the amount of carbon we produce in the future. There are lots of examples where playing politics could have a significant effect on our future climate.
We’re told that tackling climate change will mean giving up thing for the intangible, distant benefit of the not making the planet inhabitable. But having a warm, well-insulated house is a good thing. Creating renewable energy jobs in Ireland instead of getting all our carbon heavy fuel from overseas in a good thing. Better public transport is a good thing. Tackling climate change will have positive effects but it will mean making changes. Change is hard, we tend to resist it. However life of earth is going to change whether we like it or not and it’s better to make the change than have the change happen to you.
We can all do our bit to reduce our carbon emissions, but the big changes have to come from government policies and changes to transport and infrastructure. We need to tell the government that this is what we want and we are going to have to be willing to pay for it with our taxes. It has to be done. I want to believe in a kind, empathetic society that is capable of doing things for the greater good, even though it may be difficult and uncomfortable.
Tips for Taking Action from Brian Motherway’s presentation:
On Saturday August 26th, Artists to Repeal the Eighth are taking over Project Arts Centre and offering a smorgasbord of art in response to the Eighth Amendment. A Day of Testimonies starts at 11am and includes film, live performances, music, installations and discussions. I think it’s going to be a really special day; a galvanising day and hopefully a supportive, buoyant one for those who have had to travel for a termination. The focus is on their words and experiences, it’s their testimonies we will hear, but it’s also saying that they shouldn’t have had to make that journey.
Real people’s experiences should be at the crux of any debate around the Eighth Amendment. Then we have to ask ourselves – do we want to be part of a part nation that treats people like that? We hear often about the 12 women who have to travel every day for a termination, but it’s important to remember that each of those women is an individual with a story to tell and a reason why they have chosen to terminate the pregnancy. I’m grateful to those who choose to share their stories. I don’t think it’s an easy thing to do, and I don’t think it’s something they should have to do. It is a generous thing to do. I want to be there to recognise that generosity, and to bear witness to their stories.
One way these stories will be told during the day is through a number of short films. Entry is free, donations are encouraged. The full line-up is here. I’m very interested in the older films being shown at 1pm and again at 5pm, 50,000 Secret Journeys from 1994 and Statistic from 1983. It’s always interesting to see how far we’re come, or not as the case may be.
I’m also interested in the Bus Stop event – How to Talk About the Eighth. This is happening from 11am – 4pm and it’s informal discussions and debates facilitated by Amnesty International Ireland and Union of Students in Ireland. I imagine it will offer a few tools for talking about the Eighth in the lead up to the referendum which is finally on the horizon. There will also be tea, and maybe a few biscuits!
Anu are performing a new piece called COLONY, every hour on the hour from 11am until 6pm. There’s also an impressive line-up of special guests for the evening programme which starts at 7.30pm. This is only ticketed event on the day but there are still tickets available from Project Arts Centre.
I think it’s a wonderful idea. It offers a chance to connect with others, bolster yourself as we get ready for the next March for Choice and the referendum beyond that. It’s about connecting with people in the real world. For all those people who complain about online activism, here is a real world event that will let you talk to real people in the real world and experience something in real time with other people.