I really enjoyed this year’s Dublin Fringe Festival. It was two weeks of booking more shows than I could really afford and seeing wonderful performances all over the city. It’s one of my favourite times of year. I love coming out of a half six show while it’s still bright out and then heading off to see something else. I love bumping into friends in theatre foyers and hearing what they’ve seen or what they recommend. Here are some of the things I learnt over the course of the festival.
In May I saw Tana French being interviewed by Anna Carey in Smock Alley. The event was part of the International Festival of Literature. I am a huge admirer of her writing but I’d never heard her speak about it before so I was really looking forward to the event. She didn’t disappoint.
Tana French is an award-winning, best-selling Irish crime writer. In 2007, her debut novel In The Woods was published to critical acclaim and became an award-winning best seller. I wasn’t aware of her books until 2012 when I was introduced to her writing by an American friend. French’s novels have spent many weeks on The New York Times bestseller lists and is maybe better known in the US than she is here.
The friend who told me about Tana French was a fellow drama student in Galway. At the end of the school year, when she was getting ready to head back to the States, she mentioned that one of her favourite authors had a new book out that she planned to buy for the flight home. She was saving this book and looking forward to enjoying it during the long trip. A few weeks later I moved home and was stuck in that mild post-graduation depression/identity-crisis when you’re not a student anymore but you haven’t figured out what the next stage of your life looks like yet. I remembered my friend’s enthusiasm for an Irish author I’d never heard of and went looking for Tana French in the library. I found her first novel In The Woods and promptly did nothing but read it for the next few days. I loved it. I kept going, working my way through her books and recommending them to anyone who asked.
Tana French’s crime fiction almost always involves a murder that is investigated by the Dublin Murder Squad. Her books are brilliant whodunits but what makes them so captivating are her characters. French was an actress before she was a writer and she has a wonderful skill of inhabiting characters and bringing them to life. Although her books are all based around the Murder Squad, the main character and narrator of each book is different.
In Smock Alley, she talked about her decision not to write a traditional series centred about a single detective because putting a different character at the centre of each book, allowed her to encounter that character at a major turning point in their lives or working on a case that had a special significance to the character. She felt that this would be hard to do if she always had the same protagonist. One person’s life can only sustain so many major turning points. It also makes for a much more interesting and revelatory reading experience. Her characters might not always be the self-reflective sort, but as a writer she skillfully reveals things about the way they see themselves over the course of the book.
Listening to French talk about her work, it’s clear that the characters are always central to the story. She is very articulate and passionate in the way that she talks about her work. One of the most fascinating things I find about her writing process is that she doesn’t plan; she says she doesn’t do any major plotting, she just writes blind. I find this impressive because her books are tightly plotted, as any mystery or crime novel has to be. She says she achieves this by doing lots and lots of rewrites.
Tana French started writing when she got an idea for a story while working part-time at an archaeological dig. She was a jobbing-actor at the time and this was a day-job between acting roles. She realised that she was serious about the book when she started turning down acting work so she could focus on writing her own story instead. That book became In The Woods. Comparing writing to acting, she says that she loves writing because she doesn’t have to wait for someone to give her a job, she can just do it herself. She is very enthusiastic about writing for a living, while still acknowledging that there comes a difficult point in every book when she wants to quit and go back to being a broke actor.
She still has an affinity with actors and the difficulties that they face finding work. This came across when she talked about the upcoming tv adaptation of her first two novels. She seemed genuinely delighted that the show was providing work for Irish actors. The show, Dublin Murders, stars Killian Scott and Sarah Greene, and is written by Sarah Phelps who has a couple of very good Agatha Christie tv adaptations under her belt. (And There Was None and The Witness for the Prosecution.) French said that she decided not to have anything to do with the tv adaptation when it became clear that it was not going to be a straight translation of the books – the 8-part tv series will feature the investigations from In The Woods and The Likeness – and decided to let it be a thing on it’s own.
She also talked about her most recent novel The Wych Elm which is a departure from the previous books because it is not set within the Dublin Murder Squad. Instead it follows Toby, a privileged young man who has been lucky all his life, until one night when he is the victim of a violent crime. Toby is young, male and good looking. He’s charming and intelligent and comes from an upper middle-class background. He’s not a bad guy but he has trouble understanding that not everybody’s life is as charmed or easy as his. He’s a fascinating character. During the Q&A portion of the evening, someone asked a question about a writer’s right to inhabit another gender and to say less than flattering things about that gender. I was very impressed with French’s response as she side-stepped the veiled attack and instead focused on the fact that Toby’s privileges, and by extension his character and short-comings, are only partly about gender, they are much more about class. She said that nobody really wants to talk about that though.
As well as being character-driven, French’s novels also have a very strong sense of place. She talked about her nomadic childhood, that moving around a lot made her feel a bit of an outsider, but was good training for a novelist. She came to Dublin for college in the 1990s and since then it has become her home. She spoke movingly about finding a home in Dublin after moving around so much. Her affection for Dublin and for that feeling of belonging came across strongly in the interview and is also in her fiction. Her characters are very much of the places they’re from. She also creates beautiful buildings in her fiction such as the shared house in The Likeness, the Ivy House in The Wych Elm or the school in The Secret Place. She seems grateful for having a place that feels like home, that she knows so well, and the beautifully created places are almost a thank you to Dublin for giving her that. The books are so rooted in Dublin and Ireland. Despite her international readership her characters tend to speak Hiberno-English. They always feel very Irish and that clear sense of place contributes to the enjoyment I get from her books.
Throughout the interview gives the impression of being a very dedicated, hard-working nerd. She is enthusiastic about her work and clearly enjoys it but it also feels like she knows how lucky she is to get to do it and doesn’t want to mess that up. She does lots of research and lots of rewrites. She wants each book to be different from the last, for her own sake as well as the readers. This dedication to her craft comes across in her writing – as a reader, you feel like you’re in safe hands within her pages.
She plans to continue to challenge herself and wants to write a short book next, something like Donal Ryan’s The Spinning Heart, just to see if she can tell a story in that sort of condensed way. I wish her every success, and I look forward to reading her next book, no matter what size it is!
1. I’ve been writing off-line things.
2. I have big ideas for big things I want to write about but I get intimidated by the subject matter.
3. I’ve been watching television instead.
4. And reading books.
5. And going on holiday.
6. I have a full time job that involves sitting in front of a computer screen all day. Most days I don’t want to do that all evening as well.
7. It’s really easy to get out of the habit of writing, and really hard to get back into it.
8. Writing is hard.
9. I can’t remember how to write or why I even want to.
…but I think I’m slowly remembering again.
It felt like January would never end but it’s finally drawing to a close and on Friday it will be February. Soon, there will be more light in the sky and green buds appearing everywhere. It’s a new beginning, and there is still time for new year’s resolutions. The resolutions you made in the final days of December might be cracked and broken but you can still make fresh, bright new ones! Resolutions that aren’t about punishing yourself for the excesses of Christmas. Resolutions that don’t involve giving things up.
Here are six resolutions that are designed to add something to your life and make it better. They are all a bit earnest and do-gooder-y but they are definitely better than a juice cleanse.
I’m a little late with this but I believe in celebrating the full Twelve Days of Christmas, and this is a Christmassy activity so I feel it’s ok to do it up until Jan 6th. (And yes, maybe I’m just making excuses. My next piece is about new year’s resolutions and I probably won’t get that one online until February. And then I’ll tell you that January doesn’t really count and all sensible people start their new year’s resolutions a month late.)
This is not a year in review post, or an attempt at a Best of. It’s a personal look back at the last year and the art, events and moments that I enjoyed.
This is my fourth and final tv pick for the moment. Our usual (ir)regular blog posts will resume shortly. The Marvelous Mrs. Maisel is a show on Amazon Prime. Now, I don’t like Amazon – I’m a fan of bookshops so Amazon feels like a natural enemy but I also really don’t like how they treat their staff. I don’t use Amazon as a rule. I watched the first series of Mrs. Maisel with a free trial of Amazon Prime and consoled myself with the fact that I wasn’t actually giving them any money. Now I’m in a bit of a bind because I want to watch the second series of Mrs. Maisel (and I really want to see Dietland because I loved the book when I read it last year) and I’m going to end up giving them money and I’m a little bit disappointed in myself for that. I would be very grateful if someone else could please boycott Amazon for the next month on my behalf.
My third tv pick is actually something that was on this year and doesn’t feature the after-life or clones or anything other worldly at all. The Bisexual started on Channel 4 in October and all six episodes are available on All4 in the UK and Ireland, and Hulu (I think) in the US. It’s set in London and revolves around a group of young people but it’s not like the happy, shiny portrayal of adulthood that I grew up on.
My second tv pick is another Netflix show – the wonderfully dark and twisty Orphan Black. This one is definitely not for everyone but if you enjoyed Killing Eve and feel a lack of wise-cracking, murderous women on your tv, you will like Orphan Black. It’s a mix between The X-Files and Buffy the Vampire Slayer with our own Maria Doyle Kennedy playing the Giles role – paternal, bit of a worrier but also a secret bad-ass. It’s full of strong women and government conspiracies; no aliens but lots of dodgy science.
Last summer, while waiting for the new series to start, I rewatched The Good Place and found myself getting a little weepy at one of the late series 2 episodes. It was a Sunday and I was hungover and feeling a bit delicate but also it’s a lovely, heart-felt show with characters that you really care about and definitely worth having a little cry over! Have you watched it? Do you love it?
Based on nothing more than a hunch, I think there’s another recession coming. A hunch, and the fact that stock markets are plummeting, the US is becoming increasingly unstable and if the UK succeed in crashing out of the EU, they are going to take us down with them. At home, the soaring rents and house prices aren’t sustainable – can’t be sustainable – and in the boom and bust cycle which we seem cursed to repeat, that means a recession is on it’s way.
After seeing this terrifying headline early this month, I started thinking about what I could do to prepare for this inevitable recession. I always feel better when I have a plan.
My plan does make some big assumptions. It buys into the narrative that there’s more money sloshing around right now than there was 5-10 years ago. I know this isn’t true for everyone. There are over 10,000 homeless people in Ireland. There are children growing up in hotel rooms. Over 15% of the population is living under the poverty line and the income gap is growing all the time. People are working good jobs and still broke because their salary is being eaten up by rent.
This silly listicle will not be relevant to a lot of people and I’m sorry about that. A better way to prepare for a recession would be for the government to take the Apple tax (and the Google tax, and the Facebook tax) and invest it in social housing and other public services. I can’t make that happen so here are some things to do instead.
1. Get out of debt.
Obvious one first. Pay off your loans, clear your credit card, get out of your overdraft. If you find yourself penniless and out of work, you don’t want to owe the bank anything. You’ll miss repayments and the interest will just keep clocking up. Clearing debt is a very boring use of money but if you are lucky enough to have a bit of extra cash now, invest it in becoming debt-free as soon as possible.
This also means that if you have a future financial emergency, those lines of credit will be available to you and might help you ride out the recession.
Another boring, practical piece of advice – start saving. Preferably with a credit union because it’s easier to borrow from them. Set up a savings account and a weekly (or monthly) direct debit into it. Even if it’s only for a small amount, some savings are better than none and being a regular saver looks good when you go looking for a loan. I also like the credit union because it’s hard to get at the money. There’s no cards or electronic transfers, you have to physically go into the building. That helps my savings grow!
3. Learn to cook
The cheapest way to eat well is to cook for yourself. It doesn’t have to be fancy just learn how to make the thing you like. The BBC Good Food website has lots of easy recipes with clear instructions. (Personally I really like this two-step recipe for chicken, sweet potato and coconut curry.) Cooking well isn’t hard but it takes a bit of practice. Better to make your mistakes when you can afford to, so if the meal is completely inedible there’s a pizza in the freezer you can have instead.
Inviting friends over for dinner is also a good way to enhance your social life during a recession when nobody can afford to go out. Finally, as well as being able to feed yourself and others, being able to spend time preparing good grub is a great when you have too much time on your hands, because of unemployment or under-employment.
4. Invest in clothes that last, especially shoes/boots/coats.
If you can afford it, spend money on good quality shoes and coats that will see you through a few winters. This is good advice from a budgetary and environmental point of view but also because you find yourself walking more in a recession and it’s good to have things that keep you warm and dry.
5. Join the library! All those books!
Libraries are great. Not only are they full of books that you can take away for free, they are also warm places you can go and use the internet without spending any money. You’ll also be grateful for their weird collection of DVDs when you have to cancel your Netflix subscription and can’t afford to go to the cinema. You could argue that you don’t need to join a library now, but having lots of members help libraries stay open and (I imagine) help them argue for budget increases, so by joining today you can help make sure they’re still there when you need them. Also did I mention the free books?
6. Vote for anti-capitalists.
I don’t know if the general election is going to happen before or after the recession hits but when it does, you should vote with the recession in mind. We need a government who doesn’t always take the side of the property developers or the landlords or the banks. We need more tenants and less landlords in the Dáil. We need more socialists who will increase investment in public services. We need people who will put an end to the boom and bust cycles.
Leo Varankar described himself as “the CEO of the organisation” on the Late Late Show recently. CEOs tend to be selfish, power-mad psychopaths and we shouldn’t let them be in charge anymore. We need a leader who is less like a CEO and more like a caretaker. Someone who looks after the country and has it’s best interests at heart, someone who identifies where cuts can be made and also where we need to invest. Someone who understands that they don’t own the country, they’re just looking after the place for bit. Please vote for someone like that, when the time comes!
7. Look on the bright side…
…a recession might be the only thing that will bring down our carbon emissions. The last recession really helped with that but they started climbing again as soon as the economy started to recover. Yes, this is clutching at straws and it is a fairly bleak bright side but we were identified as the worst offender in the EU for carbon emission last week, which is another super bleak and depressing headline, so I’ll take any bright side I can find. We need a few more politicians who give a shit about global warming in the next Dáil as well.