Based on nothing more than a hunch, I think there’s another recession coming. A hunch, and the fact that stock markets are plummeting, the US is becoming increasingly unstable and if the UK succeed in crashing out of the EU, they are going to take us down with them. At home, the soaring rents and house prices aren’t sustainable – can’t be sustainable – and in the boom and bust cycle which we seem cursed to repeat, that means a recession is on it’s way.
After seeing this terrifying headline early this month, I started thinking about what I could do to prepare for this inevitable recession. I always feel better when I have a plan.
My plan does make some big assumptions. It buys into the narrative that there’s more money sloshing around right now than there was 5-10 years ago. I know this isn’t true for everyone. There are over 10,000 homeless people in Ireland. There are children growing up in hotel rooms. Over 15% of the population is living under the poverty line and the income gap is growing all the time. People are working good jobs and still broke because their salary is being eaten up by rent.
This silly listicle will not be relevant to a lot of people and I’m sorry about that. A better way to prepare for a recession would be for the government to take the Apple tax (and the Google tax, and the Facebook tax) and invest it in social housing and other public services. I can’t make that happen so here are some things to do instead.
1. Get out of debt. Obvious one first. Pay off your loans, clear your credit card, get out of your overdraft. If you find yourself penniless and out of work, you don’t want to owe the bank anything. You’ll miss repayments and the interest will just keep clocking up. Clearing debt is a very boring use of money but if you are lucky enough to have a bit of extra cash now, invest it in becoming debt-free as soon as possible.
This also means that if you have a future financial emergency, those lines of credit will be available to you and might help you ride out the recession.
2. Save. Another boring, practical piece of advice – start saving. Preferably with a credit union because it’s easier to borrow from them. Set up a savings account and a weekly (or monthly) direct debit into it. Even if it’s only for a small amount, some savings are better than none and being a regular saver looks good when you go looking for a loan. I also like the credit union because it’s hard to get at the money. There’s no cards or electronic transfers, you have to physically go into the building. That helps my savings grow!
3. Learn to cook The cheapest way to eat well is to cook for yourself. It doesn’t have to be fancy just learn how to make the thing you like. The BBC Good Food website has lots of easy recipes with clear instructions. (Personally I really like this two-step recipe for chicken, sweet potato and coconut curry.) Cooking well isn’t hard but it takes a bit of practice. Better to make your mistakes when you can afford to, so if the meal is completely inedible there’s a pizza in the freezer you can have instead.
Inviting friends over for dinner is also a good way to enhance your social life during a recession when nobody can afford to go out. Finally, as well as being able to feed yourself and others, being able to spend time preparing good grub is a great when you have too much time on your hands, because of unemployment or under-employment.
4. Invest in clothesthat last, especially shoes/boots/coats.
If you can afford it, spend money on good quality shoes and coats that will see you through a few winters. This is good advice from a budgetary and environmental point of view but also because you find yourself walking more in a recession and it’s good to have things that keep you warm and dry.
5. Join the library! All those books! Libraries are great. Not only are they full of books that you can take away for free, they are also warm places you can go and use the internet without spending any money. You’ll also be grateful for their weird collection of DVDs when you have to cancel your Netflix subscription and can’t afford to go to the cinema. You could argue that you don’t need to join a library now, but having lots of members help libraries stay open and (I imagine) help them argue for budget increases, so by joining today you can help make sure they’re still there when you need them. Also did I mention the free books?
6. Vote for anti-capitalists. I don’t know if the general election is going to happen before or after the recession hits but when it does, you should vote with the recession in mind. We need a government who doesn’t always take the side of the property developers or the landlords or the banks. We need more tenants and less landlords in the Dáil. We need more socialists who will increase investment in public services. We need people who will put an end to the boom and bust cycles.
Leo Varankar described himself as “the CEO of the organisation” on the Late Late Show recently. CEOs tend to be selfish, power-mad psychopaths and we shouldn’t let them be in charge anymore. We need a leader who is less like a CEO and more like a caretaker. Someone who looks after the country and has it’s best interests at heart, someone who identifies where cuts can be made and also where we need to invest. Someone who understands that they don’t own the country, they’re just looking after the place for bit. Please vote for someone like that, when the time comes!
7. Look on the bright side… …a recession might be the only thing that will bring down our carbon emissions. The last recession really helped with that but they started climbing again as soon as the economy started to recover. Yes, this is clutching at straws and it is a fairly bleak bright side but we were identified as the worst offender in the EU for carbon emission last week, which is another super bleak and depressing headline, so I’ll take any bright side I can find. We need a few more politicians who give a shit about global warming in the next Dáil as well.
This month marks three years since the beginning of #WakingTheFeminists and the movement is still going strong. In July Irish ten theatre organisations, in collaboration with #WakingTheFeminists, launched their Gender Equality Policies. These organisations worked together to comply with individual policies that were tailored to the work they do. They have all committed to regular reviews and reporting of the results of these reviews. The organisations involved include two festivals (Cork Midsummer Festival and the Dublin Theatre Festival), three venues (the Abbey and the Gate in Dublin, and the Everyman in Cork), four production companies (Corn Exchange, Druid, Fishamble: The New Play Company and Rough Magic) and the Lir Academy. The policies were launched by the Minister of Culture Josepha Manigan in the Lir Academy on the 9th of July 2018, and the event was widely reported. This included an article from the conservative Breitbart website. I’m not going to link to it because I don’t want to give them the clicks but here’s a screenshot.
This (male) journalist writes about gender equality (or “gender equality”) with breathless terror. Its an “aggressive quota driven policy” that the Minister is “pushing”. In reality, the initiative did not come from the government and as the policies are a list of aims and objectives, I’d hardly consider it aggressive. (The other thing that fascinates me is the photo they’ve chosen to illustrate the article. Are they dramatic witches? Do they equate all women with witches or just the aggressively feminist ones?) He seems to find the idea of gender quotas insulting, a step too far, almost a personal affront.
This reaction against quota-driven policies is not unusual. To be honest, they made me a little uncomfortable at first. The idea got under my skin in a way I found hard to explain. It annoys me that they’re necessary and I hate the idea that women need quotas to achieve success. I think most people react badly to the idea of needing special treatment. Nobody wants to be told or to think that we achieved something for any reason other than our own skills and abilities. We all want to succeed based on what we do, not who we are.
Then I remind myself how far the scales are tipped in favour of the men and I stop feeling bad about quotas. And that little niggling voice at the back of my mind telling me that quotas mean women aren’t good enough, that maybe there are some things that men are just naturally better at? I remind myself that that’s just the patriarchy talking and I am free to ignore it.
In order to get equal treatment, women currently need special treatment. Decades of research, not to mention my own lived experience, demonstrate that men and women are treated differently, their ideas are given different value, their work is given different worth. The research work that #WakingTheFeminists published in November 2017 demonstrated the inequalities that exist in Irish theatre. That research is available to download here.
Gender quotas aren’t giving women a leg up or tipping the scales in their favour. The scales have been weighted in men’s favour since the dawn of time and quotas are a way of trying to correct. Their aim is to make things fair for everybody. Reminding myself of this makes me less distrustful of the idea of quotas and gender policies. Reading the published policies also helps. They all list small and spectacularly sensible changes. They include things that we already accept, like equal pay for equal work. They all aim to establish a gender-balanced board, something that equally benefits men and women.
The policies are all different. The Abbey’s is a short and to-the-point one-pager, the Lir’s is 11 pages with a table of contents at the beginning. Druid’s policy starts with just acknowledging that there is a problem and it’s great to see that written down and recognised.
Among long-established companies with decades, and in some cases over a century of experience, the Lir stands out as the youngest company, less than ten years old. It also has the longest and most comprehensive policy. Their inclusion and dedication to the project it wonderful to see. Their policy goes further than the others, mentioning non-binary people and recognising the need for childcare facilities. None of the other proposals mention the challenges faced by parents. They will be responsible for teaching students how to treat people; those students will go on to create the Irish theatre of the future.
The policies make me excited about the changes we could see in the Irish theatre landscape over the next five years. I’m interested in seeing new work by female artists, and if that means we hear a little bit less from the male point of view for the next little while, I’m ok with that. The Lir also commits to looking at the female canon with “a view to championing productions of classical works by women at The Lir or on the stages of participating theatres.” which I think could be really interesting. I don’t think the policies will adversely affect the work these organisations do or the art they produce. If they do, I can live with less good art if it means the people making it are happier and healthier and feel more supported and recognised and represented.
I hope these changes in the theatre world will ripple outwards into the wider society. I hope that they will demonstrate that recognising gender inequality exists and setting out some steps to combat it is not difficult, that it will not adversely affect your business, that men will still exist and still have a role in society. I also hope it results in some really great art!
Since the beginning of June, Project Arts Centre’s Space Upstairs has been occupied by Jesse Jones: Tremble Tremble. This visual arts piece was Ireland’s entry into last year’s Venice Biennale. I wasn’t aware of the Venice Biennale before last year, but I became more and more intrigued by Tremble Tremble, the more I heard about it. It was produced by Project Arts Centre, which I always forget is a visual arts centre as well as a theatre. It’s about feminism and women’s issues. It features Olwen Fouéré. I was delighted that we would get a chance to see it in Dublin. (It has already traveled to LASALLE College of the Arts in Singapore and will be going to Talbot Rice Gallery in Edinburgh after Project.)
I was looking forward to seeing it but I also didn’t know what to expect. I don’t know that much about visual arts. Was it an installation where I’d go in and look at various objects? Would it be more like a promenade performance piece that I would be led through? Or would I just go in a watch a video? Even when I went into Project to see it, I stopped at the front desk to ask if there was anything I needed to know beforehand. There wasn’t. You just head upstairs and walk straight into it.
And I think that’s really the best way to do it. I’m reluctant to write too much more about the piece because I think it’s better to go see it without knowing too much and just see what it invokes in you. That said, if you are someone who feels anxious about weird art pieces, I can tell you that there is no audience interaction, you’re won’t be asked to do anything. You can move around if you want or you can stay in one spot. When I was there, there was someone sitting on the floor and I think I saw a bench along the wall as well. It is pretty dark in the space but you get used to that pretty quickly.
If you don’t want to know any more about the piece before you go see it, stop reading after this paragraph and come back after you’ve seen it. Please go and see it. It’s strange and interesting and anything I write here won’t be able to invoke the weird magic of experiencing it first-hand in the space. You have until Wednesday July 18th and it’s open 10am – 6pm most days, and until 8pm today Friday 13th. It’s closed on Sundays.
Here’s a little bit about my experience of the piece.
It is a little bit disorientating walking into the Space Upstairs in the dark . It’s a space I know well, but it still felt very unfamiliar and I spent the first couple of minutes getting my bearings. The unmissable thing are the two giant screens, where Olwen Fouéré is projected as a huge, witchy presence. She’s a grumpy witch, threatening chaos. She’s also curious and there’s something mischievous about her as well. She reminded me of Granny Weatherwax, one of Pratchett’s Discworld witches.
I was very taken with the feeling in the space. It feels ancient. It reminded me of the tomb in Newgrange. The sound made by the moving curtains sounds like wind or rain, but heard from somewhere safe and dry.
The piece lasts about 20 minutes . It’s short but I felt very full afterwards. There are lots of interesting images and ideas in it. There are snippets of songs that sound like strange nursery rhymes and the spoken and written text also leaves you with a lot to think about. After half an hour I felt like I needed to go away and think about it all, but at the same time, I want to go back again. It’s a space that tempts you back. It feels like going back in time, being in conversation with an ancient giant, but it’s also hopeful and forward looking. If you can, go see it before it moves on.
Tremble Tremble is on in Project Arts Centre until Wednesday 18th of July, 10am – 6pm most days. It’s open until 8pm today, Friday 13 July. Closed Sundays.
(The referendum happened over four weeks ago and I have spent almost that long writing this blog post. When I started writing about this, I discovered that I had a lot to say on the issue and it took some time to wrangle all those words and feelings into something interesting and coherent and not 5,000 words long, but it felt worth doing.)
There has been so much written about the results of the referendum on May 25th and the work that was done in the lead-up to it. A lot of it was incredibly heartfelt and very moving but there was also some sniping about how the (incredibly successful) campaign was run and how “inappropriate” and “disrespectful” it was to celebrate that glorious, surprising victory on May 25. I find it incredible that anyone thinks they can tell people not to celebrate after years of hard work, of time and energy dedicated to removing something that has caused so much hurt to so many people. It takes a certain type of personality to dictate to anyone what an “appropriate” reaction looks like, and I believe if the photos taken in Dublin Castle on May 26th were not predominately of young women, those articles would not have been written.
In her essay I Wish Ann Lovett Were Out Buying a Swimsuit for Lanzarote, Emer O’Toole writes beautifully about the Ireland that existed when the Eighth Amendment went in to the Constitution and the journey the country has taken since then. I’m not going to go back that far. Change in Ireland has been slow and gradual since then but on this issue a tipping point was reached in 2012 and things started to pick up speed.
In February 2012, recently elected TD Clare Daly brought a bill to the Dail to legislate on the X case and allow for abortions in limited circumstances. There was little interest from the rest of the government and the bill went nowhere. Six months later in September 2012, the first March for Choice was organised by the newly formed Abortion Rights Campaign. It was pretty small. We lined up at the Spire, in the middle of O’Connell Street, and heard a few speeches before marching to the Dail. It was a warm, sunny day and a good-spirited march. It couldn’t have been more different to the protests held in response to the death of Savita Hallpanaver later that year.
I remember standing in my kitchen, hearing for the first time how Savita died. I remember feeling both heart-broken and furious that this had been allowed to happen to her. There was also the question of how many other women had this happened to. I walked into work that morning still furious. That fury didn’t go away and after work I went down to the Dail with a couple of friends, joining the many who had gathered there already, in the cold and the dark. A hastily organised gathering; we didn’t know what to do but knew we had to do something. It was the first of many protests that winter, the numbers growing week by week as we stood in the dark, holding candles, feeling the cold damp through our shoes, chanting “Never Again”.
The death of Savita and the public outcry that followed forced the government’s hand on abortion. Twenty years after that ruling, they would finally legislate on the X Case. It was not something that would have saved Savita or any other woman in her situation, but as we learnt over the next five years, very little could be done through legislation while the Eighth Amendment was in the constitution.
The debate around that legislation meant more protests outside the Dail the following summer and resulted in the woefully inadequate Protection of Life During Pregnancy Act. This made abortion possible if a woman was suicidal as a result of the pregnancy. It came with a number of restrictions, and also stuck in the fourteen year jail sentence for anyone who has an abortion in the State if their life was not at risk, and seven years for anyone who helped them.
There was also the distraction of “Lapgate“; the incident in the Dáil when a female TD aas pulled into a lap of a male colleague, he described it as “horseplay”. That this happened in a work place, during a debate about female health that was being broadcast live on tv (the incident took place at 3am but a sharp-eyed viewer caught it and shared it online) gives an insight into how the Irish state and members of government viewed women at the time.
A few months after the bill passed, the devastatingly sad case of Ms Y showed that it was not fit for purpose. Ms Y was a refugee who came to Ireland seeking asylum. When she arrived in Ireland she discovered she was pregnant as a result of rape in her home country. She asked for an abortion and was refused. She was suicidal as a result of the pregnancy and the lack of help she had received from the place she had fled to seeking shelter and compassion. She was suicidal enough to be locked in a psychiatric ward but not enough to “qualify” for an abortion, and eventually, the State performed a C-section at 25 weeks. A caesarean section is a major surgical operation. It has a much longer recovery period than a medical or even surgical abortion, and it was a treatment she only consented to under enormous pressure because she didn’t want to be pregnant anymore. The Irish State really has an incredibly long track-record of torturing women, particularly the women in its care. Earlier this month the HSE has admitted liability and said it is willing to compensate Ms Y for failing to provide her with an abortion when she first sought one.
Then at the end of 2014, we learnt of Ms P, a woman being kept on life-support because she was pregnant and doctors were unsure if they could withdraw treatment under the Eighth Amendment because it would end the pregnancy. Like in Savita’s case, the pregnancy was never going to end in a successful delivery but because there was a fetal heart-beat the doctors’ hands were tied. This was always the big problem with the Eighth Amendment; it didn’t allow for a case by case assessment of the situation, for doctors to use their own judgement. Once there was a fetal heart-beat, doctors were limited in what they could do for the woman, her life and health immediately had to be balanced with that of the “unborn”.
These were the most public instances of the hurt and distress caused by the Eighth Amendment over a three years period but they were not the only ones. In 2015 other women started sharing their abortion stories. The X-lie Project began collecting and sharing stories and images of Irish women who had had abortions. Within a few weeks of each other in September of that year, Tara Flynn and Roisin Ingle spoke publicly about their abortions. Maser’s mural went up on the wall of Project Arts Centre and was removed after a couple of weeks, which got a lot of people talking. The Repeal Project was launched and those stark black jumpers starting appearing all over the place, and starting conversations. Una Mullally made a radio documentary for the Irish Times Womens’ podcast called The Year The Converstaion Changed, which captures the shift in attitudes towards abortion and the need for change.
But the big moment in 2015 was the success of the Marriage Equality Referendum. Ireland was finally coming out of the long shadow of the church and it felt like change was possible in a really tangible way. It galvanised people to push for change in other areas. The government couldn’t keep pretending abortion wasn’t a political issue. They couldn’t keep hoping it would just go away. At the same time, it was still a contentious issue that nobody wanted to make a decision on, so they gave it to the Citizen’s Assembly.
Though derided as a delaying tactic, the Citizen’s Assembly turned out to be pretty amazing. There was an incredible investment from the citizens themselves; when they asked for an extra weekend to be added to the schedule and when on the final day, they ran over time as they added more questions to their ballot on issues such as abortion for socioeconomic reasons. I was surprised and amazed and delighted with the final results when 64% voted for unrestricted abortion up to 12 weeks. I love Ellen Coyne’s article about some of those citizens on referendum day, when a similar result was returned.
The result from the Citizens’ Assembly was very clear. They were clear that the Eighth Amendment (or article 40.3.3 which was what they actually voted on, and which contains the Eighth Amendment) was not adequate, and they were clear about what should replace it. However, the government were not convinced by it and set up the Joint Oireachtas Committee to look again at the evidence. The majority of the Committee came to the same conclusion and the date for the referendum was finally set for May 25th, thirteen months after the Citizen’s Assembly returned their findings.
Once the referendum date was announced, campaigning could officially begin and Together For Yes was launched. Abortion Rights Campaign and Repeal groups around the country quickly came under the Together for Yes banner. This meant the campaign had a country-wide reach within days. These local groups organised training sessions for canvassers where they collected names and numbers for Whatsapp groups so people could keep in touch with others in their area and create their own canvassing groups. It truly was a grass-roots campaign with local groups and people on the ground empowered to get out there and make things happen.
For me, one of the most memorable and moving days of the campaign was the launch of Together for Yes’s crowd-funding campaign. The original aim was to raise €50,000 in seven days. It was done in less than an hour. The target was raised and smashed again and that kept happening over and over again throughout the day. It was incredible to watch the money pouring in. You could press refresh and watch the total jump €100 every 30 seconds. This was tangible proof of the support for the Together for Yes campaign and it was so uplifting to see. It was particularly satisfying coming a couple of days after an article in the Irish Times saying there was “No sense of urgency” in the Yes camp. Other voices in the media described the Yes side as complacent. This outpouring of money, in small amounts and big, did not lack urgency. The car-share groups heading out of Dublin to canvass in other smaller towns did not feel complacent. The fundraising to bring people home to vote did not feel complacent. The anxious and urgent conversations being had at home and at work did not feel complacent. It felt good to watch the total rise and read the comments people left and know that it wasn’t just your family and friends who felt like this, there were lots of others out there who felt as strongly.
Many of those people did much, much than to a crowd-funding campaign. There were people out canvassing around the country every night of the week, others working in the Together for Yes HQ, all finding time around work and family commitments to volunteer. They did it because this was important to them. They didn’t want to live in a country that would let a woman die in pain rather than perform an abortion, or one that could commit a woman to a psychiatric ward for wanting an abortion, or that would torture a grieving family by insisting that their loved one had to remain on life-support because of her pregnancy. On May 26th 2018 we moved away from being that country, and what’s worth celebrating.
That Saturday, the Taoiseach described the success of the Yes campaign as a “quiet revolution”. Those involved in the campaign have loudly shouted down this assessment. It wasn’t quiet when thousands took to the streets for the massive March for Choice in 2016. It wasn’t quiet on O’Connell Bridge during Strike for Repeal in 2017. The hum of anxiety we felt during the last week before the Referendum didn’t feel quiet. And there was nothing quiet about the hundreds of women who told their stories over and over again; stories of being abandoned by the medical profession, of being forced to travel for health care, of not feeling welcome in their own country. Those women gave up their privacy because they wanted to make Ireland a better place and I am so grateful to them for that. I am grateful to women in the public eye who “came out” about their abortions and heart-broken that they suffered vicious attacks as a result. I am grateful to women who shared their stories online in the last few weeks of the campaign in the hope of changing a few minds. Their willingness to share their private medical histories are what won the referendum. 66% of people who voted Yes said that it was because of the personal stories they heard.
Describing all that as “quiet” just means Leo Varadkar wasn’t listening. Let’s hope that when they are drafting the abortion legislation, he will listen a little more attentively to the people it’s going to affect. The fight for free, safe, legal abortion is far from over and that’s another reason why it was necessary to celebrate on May 26th. The referendum was one major hurdle that had to be passed but there is still so much to do. May 26th was a brief breathing space before we get on to the next thing.
The next thing is getting good, working legislation that makes abortion accessible to all, particularly in terms of cost and location. There are many things that still need to be decided on, things like exclusion zones, waiting periods and conscientious objectors. We need to keep the pressure on to ensure that abortion services are available by the end of the year. That is still the government’s aim, but we now know that the legislation will not be introduced to the Dáil before the summer break.
The next March for Choice is on September 29th and the Abortion Rights Campaign will be holding open meetings about the organisation of the March over the coming months. Dates and venues are usually listed on their Facebook events page. Of course, until the legislation is in place, women will still be forced to travel and the Abortion Support Network is still taking calls from women who need their help to do that. You can support their work by donating here.
Repealing the Eighth Amendment was a glorious thing. It was a wonderful thing to be part of and definitely worth celebrating. It is also a great reminder that change is possible. In 2012, the majority of TDs in the Dáil had no interest in making abortion accessible to Irish women. It was hard-working and persistent campaign groups and ordinary people who made them take an interest, made them call a referendum and made sure that we got the right result!
The Theatre Forum-TheatreNI conference starts today in the beautiful Lyric Theatre in Belfast. The title of the conference is Intersections and there will be discussions on borders, gender equality and arts policy. There’s also a Fun Palaces workshop with Stella Duffy for community groups, after the conference ends on Thursday. I’m a big fan of Fun Palaces – I wrote about it here – and would love to see one in Dublin. You can find the full Conference Programme here.
There’s also a session on climate change, another topic close to my heart. In order to walk the walk, as well as talk the talk the organisers are working to reduce the waste produced by the conference. This means less conference materials, proper dishes used for the catering and instead of a conference bag and printed material, each delegate will get a reusable take-away glass Keep Cup. I love this idea. Waste reduction is so important, particularly plastic which does not decompose for thousands of years. The way we use plastic now – bags, take-away cups, straws, fruit in plastic trays – is learned behaviour, which means that we can unlearn it and start doing things differently. There has been a shift in attitude towards plastic waste this year with things like the Shop & Drop eventin April when shoppers were encouraged to leave all their waste behind at the supermarket and the recent EU’s proposal to ban single-use plastic.
It’s not going to be easy – once you start looking, you realise plastic is everywhere – but it’s not impossible. Here are some of the things I’ve been doing to use less plastic this year.
1. I don’t have a Keep Cup because I don’t drink much takeaway coffee, but I do have a fancy glass water bottle. It’s a bit heavier than plastic but I don’t have to worry that chemicals are leaching out of the plastic and into my water! Emboldened by the Refill Project, I’ve often asked staff in bars and restaurants to refill it for me and they’ve always obliged. (These weren’t places on the Refill map, the project just made me feel more comfortable about asking for free water.)
The only place I don’t take it is the airport because I don’t think they’d let me bring glass on the plane. However I have learnt that you are allowed bring empty bottle through security and fill them up at the water fountains on the other side.
2. I switched from hand-wash to solid soap. It instantly cuts down on the amount of plastic coming into the house and ending up in the sea. Bí Urban on Manor Street in Stonybatter do a nice soap which they make using oils discarded in local food production, which is just a little bit Fight Club. It’s a real feel good soap because it’s zero waste and it’s locally made.
3. I started using a bamboo toothbrush. This will make you feel like a bit of a hippy but it’s also a very easy way to reduce plastic and you stop noticing the difference after a few days. (It does feel a bit weird at first!) I got mine in Bí Urban but they are available online as well.
4. I’ve been using more Lush products in their reuseable plastic pots. Some people are very anti-Lush. The strong smell, the bright colours and the overly enthusiastic staff are all too much for them. I have never bought a bath-bomb in my life but I love Lush for their reusable pots. For that it’s worth letting them bombard my senses for a few minutes. They take the pots back off you and reuse them again and again. If you bring back five, you can swap them for a free face mask.
5. I originally started buying stuff from Lush because you can take their solid face-wash and shampoo bars in your hand-luggage when you fly. They also have zero packaging. I love their Angels on Bare Skin face wash and I’ve used Godiva shampoo as well; the jasmine smell is really lovely. I also restarted started using a solid deodorant, I’m not sure how effective it is but it does involve zero plastic!
6. Away from the personal hygiene plastics, there’s the food plastic. I think supermarkets are slowly coming around to the idea that everything doesn’t need to be wrapped in plastic and you can get loose fruit and veg in most shops now. Just because they little plastic bags there, doesn’t mean you have to use them. You can just put six oranges and four apples and a couple of potatoes into your basket! There are also some places like Small Changes in Drumcondra and the Dublin Co-op in The Liberties that are cutting out the plastic used for things like raisins and lentils and pasta. They ask you to bring your own containers and just fill ’em up.
7. Most of these alternatives do cost a bit more than the plastic-wrapped version. I think costs will come down as it becomes more common to ditch plastic, but if you don’t have the extra cash there are still ways to cut down on your plastic just by being generally more aware of what you’re buy. Bring a bag with you, avoid straws and plastic cutlery if you can, avoid things with an excess of plastic like ready meals or salads in giant plastic bowls.
On April 23 2018, Maser’s Repeal mural was removed from outside Project Arts Centre for the second time. You know the one I mean. It was commissioned by the Andrea Horan of the HunReal Issues in 2016 and since then it has appeared in hundreds of profile pictures, on t-shirts, in windows, on badges and stuck to lamp posts around Dublin and beyond. I’ve often seen it above articles about the referendum in Irish and international press. It was only on the wall in Temple Bar for a couple of weeks but it has spread across the world.
In 2016, Project were told to remove it because they didn’t have planning permission. When the date for the referendum was announced, planning permission was no longer necessary and it went back on the wall. Less than a week later, they were told to remove it again. This time it was the Charities Regulator who had taken issue, and in a very murky reading of the Charities Act deemed the mural not in line with Project’s charitable purpose, and told them their charitable status was at risk if they did not cease “political activity”. Project is an arts centre. Their purpose is to present and develop contemporary art. They presented a mural by Maser, an award-winning artist that has displayed work around the world.
A week after Project received the order from the Charities Regulator, author Una Mullally was told by Dublin City Council that they were canceling her event in the International Literature Festival Dublin. The event was a panel discussion with contributors to Una’s Repeal the 8th Anthology. The anthology is a beautiful collection of stories, poems, essays and photos about the repeal movement and the effect of the 8th amendment. (Available in all good bookshops now!) The reason given by Dublin City Council was that they could not give a platform to one side of a referendum debate. That makes some sense, but the festival programme was announced on April 11th, two weeks after the date for the referendum was set. If Dublin City Council had a problem with the event, why was it programmed? To pull it after tickets were sold feels reactionary and I wonder if the disciplinary action that Project were threatened with affected the decision making process.
But censoring art doesn’t make it disappear. Maser’s mural is everywhere. Since Project painted over (most) of their mural last month (an act that Artistic Director Cian O’Brien described as “defiant compliance”), the image has already popped up on the Amnesty building and currently adorns the windows of Panti Bar. That gorgeous Repeal heart is not going anyway.
The cancelled Repeal event took place last Monday, though not as part of the Literature Festival. Smock Alley Theatre, where is was scheduled to take place, offered to host it as a separate event. I am very glad they did because it was a great discussion. Censorship and gate-keepers came up, as well as stories about people being bullied or shamed into silence by those in power. There were also readings and performances from pieces in the book and it didn’t feel at all like a political meeting.
I’ve been to a few events in the Literature Festival and the referendum has come up more than once. I’ve seen lots of Yes badges and Repeal jumpers on and off stage, perhaps in a show defiance against the cancellation and perceived censorship. Pushing back against censorship is so important. The alternative is a climate of fear that becomes more fearful with each act of censorship and before long, people start to police themselves.
This week, Not At Home, a touring art installation about women who travelled for an abortion, had venues cancel on them days before they were due to exhibit. This is particularly egregious because one of the aims of the piece was to share the stories of women who had been silenced by shame and stigma. Now their voices are being silenced again. The venues quoted the same Charities Act that was used against Project Arts Centre as their reason for cancelling the event. The venues didn’t wait to be told if they were in breach of the law, they pulled out in case it became an issue. In Galway a publicly-funded organisation and two private venues pulled out of plans to present the exhibit. It was supposed to take place at Crawford College of Art and Design’s gallery (in partnership with UCC and Cork Opera House) but the invitation was withdrawn at a late point. The Gallery cited Charities Regulator guidelines and a wish not to “jeopardise” its charitable status or “become a focus for such controversy”.
Does this mean that artists now have to wonder if the art they want to make will be acceptable to venues, or if they might decide it’s not worth jeopardising their charitable status for? What happens if artists don’t feel able to take that risk and instead avoid political issues or “controversial” opinions. It’s not that long ago that talking about abortion or calling for repeal of the 8th amendment was considered a controversial opinion. It’s because people spoke up and refused to be silenced that we get to vote on that issue this week.
Art has to be allowed to be political. It has to be able to explore controversial territory and rail against the status quo. Good art helps spread ideas. It opens minds and helps us see things in new ways. It makes change possible because it shows us new ways of doing and thinking and being. Artists need to be supported and encouraged to do that. We have brave venues that are willing to support risky work but we need more of them, especially outside Dublin.
We should all do what we can to support anyone who speaks up against injustice, whether they are artists or journalists or whistle-blowers. We need to listen to them and do what we can to amplify those voices.
A Yes Vote on May 25th is one way to change the status quo a little bit, and a way to thank those who have spoken out.
At this stage (18 days from the referendum), you probably have to be living under a rock to be online and not know what Together for Yes is; particularly after their huge crowd-funding campaign when they raised half a million euros in seven days. But in case you missed all that, Together For Yes is the National Civil Society Campaign to remove the 8th Amendment from the Constitution. It’s an amalgamation of lots pro-choice organisations who have come together to get a yes vote in the referendum on May 25th.
This could be a once in a lifetime opportunity to make Ireland a safer place for pregnant women and to give the women of Ireland control over their own reproductive rights. This yes vote is my no means a done deal. The vote will be very tight and we all need to do our bit to get it over the line.
And really, it should be a yes vote. The only reason to vote no is if you are against abortion in all circumstances and cannot imagine any possible scenario where abortion might be the right and necessary choice. If you feel that’s true, beyond any reasonable doubt, then vote no. But if you do feel that sometimes abortion is an acceptable option, for women who are pregnant as a result of rape for example or when the woman’s health is at risk because of her pregnancy or if there is a diagnosis of fatal foetus abnormality, then you should vote yes. Do it for those women.
And it you know that a yes vote is the only compassionate option and want to see Ireland embrace the compassionate choice, there’s lots you can do to make that happen.
1. Vote! And encouraging others to vote.
Tuesday 8th of May is the last day to register to vote. The form must be stamped by a Garda and be with your local authority by 5pm today. There is still time to get registered, but not much. All forms can be downloaded here.
If you already have that sorted, the most important thing is to go out and vote on May 25th. It’s a Friday. The polls will be open from 7am until 10am. And encourage other people to do it too. We’re a small country, every vote really does count. We cannot assume anything about how this vote is going to go so please talk to friends and family, figure out how and when you’re all going to vote on May 25th. 2. Go canvassing or have the chats at work or at home. Together for Yes have local groups all over the country going out knocking on doors and talking to people about why they should vote yes. Find your local group and give them a hand. It will mean giving up a few evenings and maybe having a few awkward conversations but it will move us towards a yes vote.
If you can’t go canvassing, maybe have a conversation with work colleagues, friends of family. See how they’re feeling about the referendum, suss out if they have any concerns and maybe make sure they have the correct information. Big areas of misinformation seem to be the fact that the law as it is currently does harm pregnant women, even in a wanted pregnancy and those unrestricted 12 weeks. “Unrestricted” is not the right word to use. A woman will still be making that decision with her doctor, and right now women are buying abortion pills off the internet and taking them up to 12 weeks, which is to my mind is more unrestricted and more dangerous than doing it with the support of a medical professional. Together for Yes have all the facts.
3. Wear a Together for Yes or Repeal badge, t-shirt or a jumper.
If you aren’t able to canvas or feel uncomfortable initiating conversations about the referendum, for whatever reason, wearing a badge is a great way to support the cause and let conversations come to you. Wearing your political intentions on your chest whether it’s a Together For Yes badge or a Repeal jumper tends to get your a few smiles and nods and might even start a conversation or two. It’s a gentle way to support the campaign but there is a great solidarity in seeing all the badges around the place!
Badges and other supportive paraphanilia is available from shops in Dublin, Cork and Galway and from the online shop.
We need this change to the constitution and we can all do a bit to make it happen. The vote is less than three weeks away. We are ready for this change, we’re been ready for a while. We just need the last little push to get it over the line.
Climate change is a hard topic to get your head around. It’s depressing thing so we avoid thinking about it. It can make you feel powerless. I don’t know much about climate change but I know it’s happening and that we are causing it. And because it’s caused by us, we also have the power to fix it.
We are already seeing the effects of a changing climate in Ireland. Last month we had a major weather event that put the country under lock-down for two days. The Beast from the East was compared to the heavy snowfall of 1982 but just because this has happened before doesn’t mean climate change isn’t to blame. Climate change causes these once in a generation events to happen much more frequently. We’d already had a status red-warning in October 2017 for Storm Ophelia, which started off as a hurricane in the Pacific Ocean. We don’t generally get a lot of hurricane warnings in Ireland. These aren’t the first extreme weather effects in Ireland but they do seem to be becoming more frequent.
A week before Storm Ophelia the Citizen’s Assembly gathered in Malahide to discuss climate change. The topic they had to consider was “How the State Can Make Ireland a Leader in Tackling Climate Change.” This was an extremely ambitious proposition. According to the 2018 Climate Change Performance Index, a report of countries taking action against climate change, Ireland ranked 49 out of 59. It was the worst performing county in Europe, dropping 28 places from the previous year. We have a long way to go before we can hope to be considered a leader in tackling climate change.
All the presentations from the Citizens’ Assembly are available here and here. (Links to the agendas for the two weekends, the recommendations and the presentations slides are here.) It is a wonderful information resource if you want to learn more about climate change and it’s effects. If you are not sure if it’s real or that human activity is to blame, this presentation should convince you otherwise. It’s also demonstrates what the rising temperatures mean for the future.
I like the Citizens’ Assembly. I believe putting a group of non-politicians in a room, educating them on the topic at hand and asking them to consider it from all angles before making their recommendations is a good thing. I admire those who take the time to ask questions and interrogate the issues. I love that it’s all streamed online and available to watch in any part of the world. (Except in areas of rural Ireland where the internet probably wouldn’t cope with streaming video.) But it is a process set up with restrictions, so while I was very optimistic about the kind of ideas that might come out of a Assembly with such an ambitious title, I was disappointed that the recommendations the citizens were asked to vote on were all pretty small, sometimes vague measures.
The Assembly focused on three areas – Energy, Transport and Agriculture. Members voted to accept all the recommendations by a high margin. The lowest vote was the 80% of Members who said they would be willing to pay higher taxes on carbon intensive activities. One hundred percent of the Members recommended that the State should take a leadership role in addressing climate change. The full list of recommendations can be found here. They included things like increasing investment in public transport, reducing food waste and taxing greenhouse gas emissions. They are all small changes but they would be better than nothing. Of course, the government does not have to take on any of the recommendations just because the Citizens’ Assembly says they should.
The two most dangerous myths around climate change are that it’s something that’s going to happen years and years from now and that there’s nothing we can do to stop it. We have seen that it is already happening; we know that it’s a threat now. There are also a lot of things can we can do to stop it. All we need to do is reduce the carbon we are putting into the atmosphere and we can start doing that right now.
There were optimistic presentations at the Citizens’ Assembly about the changes to be made to tackle climate change. Brian Motherway’s presentation describes the low carbon home – a warm, well-insulated house with solar panels to heat the water and where the electricity bill is about €200 a year.
He describes how newly built homes, ones that adhere to building regulations, produce 30% less carbon on average than older homes. It doesn’t cost that much more to achieve this standard when building a home from scratch. However it costs more to add them later, so it’s really important that those regulations are not ignored as we struggle to keep up with the demand for new homes. The government needs to make sure that the regulations are met. The bad habit our politicians have of trying to keep the builders and property developers sweet could adversely affect the amount of carbon we produce in the future. There are lots of examples where playing politics could have a significant effect on our future climate.
We’re told that tackling climate change will mean giving up thing for the intangible, distant benefit of the not making the planet inhabitable. But having a warm, well-insulated house is a good thing. Creating renewable energy jobs in Ireland instead of getting all our carbon heavy fuel from overseas in a good thing. Better public transport is a good thing. Tackling climate change will have positive effects but it will mean making changes. Change is hard, we tend to resist it. However life of earth is going to change whether we like it or not and it’s better to make the change than have the change happen to you.
We can all do our bit to reduce our carbon emissions, but the big changes have to come from government policies and changes to transport and infrastructure. We need to tell the government that this is what we want and we are going to have to be willing to pay for it with our taxes. It has to be done. I want to believe in a kind, empathetic society that is capable of doing things for the greater good, even though it may be difficult and uncomfortable.
Tips for Taking Action from Brian Motherway’s presentation:
For the last couple of months THISISPOPBABY’s glorious Riot has been on tour in Australia and New York and seeing all the photos and tweets gave me major FOMO. I loved that show! I really want to see it again. (I would also have loved to sit with the audience in Sydney or Melbourne or New York and see how they reacted to this very Irish show.) I want it to be on every year, like how Riverdance is on for two months in the Gaiety every summer. If Riot did that I would go and see it every year and I’m sure I’m not the only one.
But until that dream becomes a reality, we have THISISPOPBABY’s Where We Live festival to get excited about. It’s a festival within a festival because it’s presented as part of the St. Patrick’s Festival. It starts next week, March 6th to the 18th in the Complex on Little Green Street, which is just off Capel Street.
The programme includes theatre, film, music, visual arts and panel discussions. In my mind St. Patrick’s Day entertainment can be a bit backwards-looking and overly concerned with traditional Irishness, but the work on offer here is all very contemporary. It’s still Irish but it’s about what’s going on in the country now. There are also no old reliables here, it’s a lot of brand new work being shown for the first time. I’m very excited about the work on offer and I think it’s great to see Irish work like this as part of the St. Patrick’s Day celebrations in Ireland. Usually you see Irish artists going abroad to be part of Irish festivals or festivals of Irish work at this time of year, and it’s get some of that at home.
Money is a show about the 2008 Irish bail-out. It is written and performed by actor and accountant Peter Daly. If anyone can make sense of that turbulent time in Irish history, it’s him. I am certainly hoping to leave with a better understanding of the whole financial crisis.
Veronica Dyas’s Here & Now is about becoming an accidental landlord when the financial crash put her into negative equity. It’s about the housing crisis and homelessness, and asks what we really need to live.
The Mouth Of A Shark, a new show from Change of Address, will present the real-life stories of asylum seekers and Irish emigrants. Change of Address brought the wonderful story-telling show Trophy to Barnardo Square during last year’s Fringe Festival which I enjoyed immensely.
There’s also a very new, work-in-progress showing of a spoken word piece by Clare Dunne. Sure Look It, Fuck It is about a returning emigrant. Clare was fantastic in Tribes at the Gate as part of last year’s Dublin Theatre Festival and is currently on stage at there in Look Back in Anger. I think she’s a fantastic performer and I’m looking forward to this.
As well as all that theatre, there’s the Townhall Sessions series of talks about life in the city. There’s lots more details here, including videos from the speakers. These sessions are €6 each.
On St. Patrick’s night, there’s the WERKHouse party which will probably have a few Riot-like short performances. The next day, there’s a programme of films about people on the edges of society, including Adam & Paul which will be introduced by its Oscar Nominated director Lenny Abrahamson and writer and lead actor Mark O’Halloran.
An exhibition/installation, Made in Dublin will also take place in the Complex for the two weeks of the festivals. There’s also a performance from the High Hopes Choir.
I haven’t entirely forgotten about this blog. I hope you haven’t either. I think of it guiltily every now and then. Sometimes I even think of something that I would like to write about here, and on the odd, very rare occasion, I actually manage to write about that thing and put it online. This is one of those rare occasions. Who knows when it will happen again.
As we are (still, barely) in the first week of the new year, here is a post about shows that are coming up in 2018 but have been on before. There are loads of exciting, brand new plays coming, but these are all shows that I saw and loved over the last couple of years, including two of my absolute favourites. Excitingly they are on in venues all over the country so I don’t have to feel any guilt for the Dublin-centric nature of my theatre recommendations.
I’ll start with my two favourites.
The Humours of Bandon
Margaret McAuliffe’s one-woman show began as a Show in a Bag at the Dublin Fringe Festival in 2016. It won the Little Gem Award and it was in Bewley’s Theatre that I saw and loved it last year. Since then it’s been to the Edinburgh Festival and on tour around Ireland, but it’s back again for a few dates in Leitrim, Cork and Bray throughout February.
I really enjoyed this show. It’s like a big sports movie about triumph and defeat, hard-work, determination and sacrifice, but it’s also about Irish dancing and being a teenage girl. And it manages to cover all that in under an hour. Both the acting and the dancing are spectacular. It’s also has a really big heart and made me a bit teary-eyed at the end. It got an enthusiastic and much deserved standing ovation the day I saw it in Bewley’s. I think everyone should see this show because it such a joy to watch.
It’s on in The Dock, Leitrim on Feb 3, the Blackwater Fit Up Festival in Cork on Feb 6-11 and in the Mermaid Arts Centre in Bray on Feb 24. More information here.
My other recent favourite show is Swan Lake/Loch na hEala which is a glorious piece of work by Michael Keegan Dolan, featuring a group of wonderfully talented dancers and Mikel Mufi who doesn’t dance, but does play a goat, and at least a dozen other characters. I saw this show twice when it was on as part of the Dublin Theatre Festival in 2016 and I can’t wait to see it again.
I saw it first as a festival volunteer on the first or second night of the run. That night, people were still able to walk up and buy a tickets before the show and all the volunteers were able to sit in. When I went back to see it a couple of days later on the closing night, the O’Reilly Theatre was completely sold out and they had added extra rows of seats at the front. It was a huge word of month hit and deservedly so.
You don’t have to be understand or even like dance to love this show. It’s fantastically visual and very Irish. There are lots of joyful moments but it’s also dark and worrisome in places. It looks amazing, the music is wonderful, I loved it and already have my ticket for the run in the Abbey in early February.
Outside Dublin, the touring network NOMAD are taking it to venues around the country. It will be on in Donegal, Roscommon, Sligo, Kildare, Westmeath, Louth, Cavan and Longford. The first date is An Grianán, Letterkenny on Jan 28 and the last show is in Backstage Theatre, Longford at the start of April. All those dates and ticket links are here.
Not a Funny Word
I saw lots of great things in the Abbey last year and one of most wonderful things I saw was Tara Flynn’s Not a Funny Word. Directed by Philly McMahon, written and performed by Tara Flynn with songs by Alma Kelliher, it’s a personal and political look at abortion. The songs are great and Tara Flynn is very very funny, even in a show about a difficult and very personal experience. The tone is never flippant and the jokes are generally at her own expense. It’s an exposing show and her honesty and openness made it feel like a privilege to experience it with her. She is an incredibly generous performer and allows herself to be very vulnerable. To see this show at the National Theatre felt special and note-worthy too.
In March it will be on in the Complex in Smithfield for four performances only as part of Thisispopbaby’s festival This is Where We Live.
And, as you would expect from Thisispopbaby, there are lots of other exciting shows on as part of the festival, and I recommend you check them out here.
Waiting for Godot
I missed this show when it was on in the Galway Arts Festival in 2015, partly on purpose because it was on in the Mick Lally Theatre which is very small and I was afraid that my habit of failing asleep during Beckett plays might be a tad insulting to the actors onstage. I regretted it when I heard so many people raving about it that summer, including the new directors of the Abbey, so I was delighted when they brought it to Dublin. I managed to stay awake for the whole show at the Abbey and enjoyed it very much. The Druid ensemble did such a good job of it. It was funny and more joyful than I expected but the poignant moments where there as well. Francis O’Connor’s set is absolutely beautiful, and so utterly perfect for the production.
This is another one that’s on all over the country. During February, March and April t’s going to Galway, Limerick, Letterkenny, Cork, Longford, Wexford, Dun Laoghaire and Sligo, and all the details are here.
Once again, it’s another show I saw in the Abbey, and I’m delighted that Jimmy’s Hall will be back again this year. I’ve already writing about this show (and how much I enjoyed it) here and it’s great to see it back because I don’t think it had a particularly long run last summer. I am planning to head along to the Free First Preview on 26 July but it will be on all through August and into the first week of September. Early Bird tickets are available before June 11. I think it’s a great summer show – the live music makes it a great one for tourists (along with the fact that it’s based on a film) but it also includes a nice chunk of neglected Irish history, as well as encouraging a revolutionary frame of mind!
26 July – 8 Sept
Free First Preview – 26 July
Early Bird Booking before June 11