This is my fourth and final tv pick for the moment. Our usual (ir)regular blog posts will resume shortly. The Marvelous Mrs. Maisel is a show on Amazon Prime. Now, I don’t like Amazon – I’m a fan of bookshops so Amazon feels like a natural enemy but I also really don’t like how they treat their staff. I don’t use Amazon as a rule. I watched the first series of Mrs. Maisel with a free trial of Amazon Prime and consoled myself with the fact that I wasn’t actually giving them any money. Now I’m in a bit of a bind because I want to watch the second series of Mrs. Maisel (and I really want to see Dietland because I loved the book when I read it last year) and I’m going to end up giving them money and I’m a little bit disappointed in myself for that. I would be very grateful if someone else could please boycott Amazon for the next month on my behalf.
My third tv pick is actually something that was on this year and doesn’t feature the after-life or clones or anything other worldly at all. The Bisexual started on Channel 4 in October and all six episodes are available on All4 in the UK and Ireland, and Hulu (I think) in the US. It’s set in London and revolves around a group of young people but it’s not like the happy, shiny portrayal of adulthood that I grew up on.
My second tv pick is another Netflix show – the wonderfully dark and twisty Orphan Black. This one is definitely not for everyone but if you enjoyed Killing Eve and feel a lack of wise-cracking, murderous women on your tv, you will like Orphan Black. It’s a mix between The X-Files and Buffy the Vampire Slayer with our own Maria Doyle Kennedy playing the Giles role – paternal, bit of a worrier but also a secret bad-ass. It’s full of strong women and government conspiracies; no aliens but lots of dodgy science.
Last summer, while waiting for the new series to start, I rewatched The Good Place and found myself getting a little weepy at one of the late series 2 episodes. It was a Sunday and I was hungover and feeling a bit delicate but also it’s a lovely, heart-felt show with characters that you really care about and definitely worth having a little cry over! Have you watched it? Do you love it?
Based on nothing more than a hunch, I think there’s another recession coming. A hunch, and the fact that stock markets are plummeting, the US is becoming increasingly unstable and if the UK succeed in crashing out of the EU, they are going to take us down with them. At home, the soaring rents and house prices aren’t sustainable – can’t be sustainable – and in the boom and bust cycle which we seem cursed to repeat, that means a recession is on it’s way.
After seeing this terrifying headline early this month, I started thinking about what I could do to prepare for this inevitable recession. I always feel better when I have a plan.
My plan does make some big assumptions. It buys into the narrative that there’s more money sloshing around right now than there was 5-10 years ago. I know this isn’t true for everyone. There are over 10,000 homeless people in Ireland. There are children growing up in hotel rooms. Over 15% of the population is living under the poverty line and the income gap is growing all the time. People are working good jobs and still broke because their salary is being eaten up by rent.
This silly listicle will not be relevant to a lot of people and I’m sorry about that. A better way to prepare for a recession would be for the government to take the Apple tax (and the Google tax, and the Facebook tax) and invest it in social housing and other public services. I can’t make that happen so here are some things to do instead.
1. Get out of debt.
Obvious one first. Pay off your loans, clear your credit card, get out of your overdraft. If you find yourself penniless and out of work, you don’t want to owe the bank anything. You’ll miss repayments and the interest will just keep clocking up. Clearing debt is a very boring use of money but if you are lucky enough to have a bit of extra cash now, invest it in becoming debt-free as soon as possible.
This also means that if you have a future financial emergency, those lines of credit will be available to you and might help you ride out the recession.
Another boring, practical piece of advice – start saving. Preferably with a credit union because it’s easier to borrow from them. Set up a savings account and a weekly (or monthly) direct debit into it. Even if it’s only for a small amount, some savings are better than none and being a regular saver looks good when you go looking for a loan. I also like the credit union because it’s hard to get at the money. There’s no cards or electronic transfers, you have to physically go into the building. That helps my savings grow!
3. Learn to cook
The cheapest way to eat well is to cook for yourself. It doesn’t have to be fancy just learn how to make the thing you like. The BBC Good Food website has lots of easy recipes with clear instructions. (Personally I really like this two-step recipe for chicken, sweet potato and coconut curry.) Cooking well isn’t hard but it takes a bit of practice. Better to make your mistakes when you can afford to, so if the meal is completely inedible there’s a pizza in the freezer you can have instead.
Inviting friends over for dinner is also a good way to enhance your social life during a recession when nobody can afford to go out. Finally, as well as being able to feed yourself and others, being able to spend time preparing good grub is a great when you have too much time on your hands, because of unemployment or under-employment.
4. Invest in clothes that last, especially shoes/boots/coats.
If you can afford it, spend money on good quality shoes and coats that will see you through a few winters. This is good advice from a budgetary and environmental point of view but also because you find yourself walking more in a recession and it’s good to have things that keep you warm and dry.
5. Join the library! All those books!
Libraries are great. Not only are they full of books that you can take away for free, they are also warm places you can go and use the internet without spending any money. You’ll also be grateful for their weird collection of DVDs when you have to cancel your Netflix subscription and can’t afford to go to the cinema. You could argue that you don’t need to join a library now, but having lots of members help libraries stay open and (I imagine) help them argue for budget increases, so by joining today you can help make sure they’re still there when you need them. Also did I mention the free books?
6. Vote for anti-capitalists.
I don’t know if the general election is going to happen before or after the recession hits but when it does, you should vote with the recession in mind. We need a government who doesn’t always take the side of the property developers or the landlords or the banks. We need more tenants and less landlords in the Dáil. We need more socialists who will increase investment in public services. We need people who will put an end to the boom and bust cycles.
Leo Varankar described himself as “the CEO of the organisation” on the Late Late Show recently. CEOs tend to be selfish, power-mad psychopaths and we shouldn’t let them be in charge anymore. We need a leader who is less like a CEO and more like a caretaker. Someone who looks after the country and has it’s best interests at heart, someone who identifies where cuts can be made and also where we need to invest. Someone who understands that they don’t own the country, they’re just looking after the place for bit. Please vote for someone like that, when the time comes!
7. Look on the bright side…
…a recession might be the only thing that will bring down our carbon emissions. The last recession really helped with that but they started climbing again as soon as the economy started to recover. Yes, this is clutching at straws and it is a fairly bleak bright side but we were identified as the worst offender in the EU for carbon emission last week, which is another super bleak and depressing headline, so I’ll take any bright side I can find. We need a few more politicians who give a shit about global warming in the next Dáil as well.
This month marks three years since the beginning of #WakingTheFeminists and the movement is still going strong. In July Irish ten theatre organisations, in collaboration with #WakingTheFeminists, launched their Gender Equality Policies. These organisations worked together to comply with individual policies that were tailored to the work they do. They have all committed to regular reviews and reporting of the results of these reviews.
Since the beginning of June, Project Arts Centre’s Space Upstairs has been occupied by Jesse Jones: Tremble Tremble. This visual arts piece was Ireland’s entry into last year’s Venice Biennale. I wasn’t aware of the Venice Biennale before last year, but I became more and more intrigued by Tremble Tremble, the more I heard about it.
(The referendum happened over four weeks ago and I have spent almost that long writing this blog post. When I started writing about this, I discovered that I had a lot to say on the issue and it took some time to wrangle all those words and feelings into something interesting and coherent and not 5,000 words long, but it felt worth doing.)
The Theatre Forum-TheatreNI conference starts today in the beautiful Lyric Theatre in Belfast. The title of the conference is Intersections and there will be discussions on borders, gender equality and arts policy. There’s also a Fun Palaces workshop with Stella Duffy for community groups, after the conference ends on Thursday. I’m a big fan of Fun Palaces – I wrote about it here – and would love to see one in Dublin. You can find the full Conference Programme here.
There’s also a session on climate change, another topic close to my heart. In order to walk the walk, as well as talk the talk the organisers are working to reduce the waste produced by the conference. This means less conference materials, proper dishes used for the catering and instead of a conference bag and printed material, each delegate will get a reusable take-away glass Keep Cup. I love this idea. Waste reduction is so important, particularly plastic which does not decompose for thousands of years. The way we use plastic now – bags, take-away cups, straws, fruit in plastic trays – is learned behaviour, which means that we can unlearn it and start doing things differently. There has been a shift in attitude towards plastic waste this year with things like the Shop & Drop event in April when shoppers were encouraged to leave all their waste behind at the supermarket and the recent EU’s proposal to ban single-use plastic.
It’s not going to be easy – once you start looking, you realise plastic is everywhere – but it’s not impossible. Here are some of the things I’ve been doing to use less plastic this year.
1. I don’t have a Keep Cup because I don’t drink much takeaway coffee, but I do have a fancy glass water bottle. It’s a bit heavier than plastic but I don’t have to worry that chemicals are leaching out of the plastic and into my water! Emboldened by the Refill Project, I’ve often asked staff in bars and restaurants to refill it for me and they’ve always obliged. (These weren’t places on the Refill map, the project just made me feel more comfortable about asking for free water.)
The only place I don’t take it is the airport because I don’t think they’d let me bring glass on the plane. However I have learnt that you are allowed bring empty bottle through security and fill them up at the water fountains on the other side.
2. I switched from hand-wash to solid soap. It instantly cuts down on the amount of plastic coming into the house and ending up in the sea. Bí Urban on Manor Street in Stonybatter do a nice soap which they make using oils discarded in local food production, which is just a little bit Fight Club. It’s a real feel good soap because it’s zero waste and it’s locally made.
3. I started using a bamboo toothbrush. This will make you feel like a bit of a hippy but it’s also a very easy way to reduce plastic and you stop noticing the difference after a few days. (It does feel a bit weird at first!) I got mine in Bí Urban but they are available online as well.
4. I’ve been using more Lush products in their reuseable plastic pots. Some people are very anti-Lush. The strong smell, the bright colours and the overly enthusiastic staff are all too much for them. I have never bought a bath-bomb in my life but I love Lush for their reusable pots. For that it’s worth letting them bombard my senses for a few minutes. They take the pots back off you and reuse them again and again. If you bring back five, you can swap them for a free face mask.
5. I originally started buying stuff from Lush because you can take their solid face-wash and shampoo bars in your hand-luggage when you fly. They also have zero packaging. I love their Angels on Bare Skin face wash and I’ve used Godiva shampoo as well; the jasmine smell is really lovely. I also restarted started using a solid deodorant, I’m not sure how effective it is but it does involve zero plastic!
6. Away from the personal hygiene plastics, there’s the food plastic. I think supermarkets are slowly coming around to the idea that everything doesn’t need to be wrapped in plastic and you can get loose fruit and veg in most shops now. Just because they little plastic bags there, doesn’t mean you have to use them. You can just put six oranges and four apples and a couple of potatoes into your basket! There are also some places like Small Changes in Drumcondra and the Dublin Co-op in The Liberties that are cutting out the plastic used for things like raisins and lentils and pasta. They ask you to bring your own containers and just fill ’em up.
7. Most of these alternatives do cost a bit more than the plastic-wrapped version. I think costs will come down as it becomes more common to ditch plastic, but if you don’t have the extra cash there are still ways to cut down on your plastic just by being generally more aware of what you’re buy. Bring a bag with you, avoid straws and plastic cutlery if you can, avoid things with an excess of plastic like ready meals or salads in giant plastic bowls.
On April 23 2018, Maser’s Repeal mural was removed from outside Project Arts Centre for the second time. You know the one I mean. It was commissioned by the Andrea Horan of the HunReal Issues in 2016 and since then it has appeared in hundreds of profile pictures, on t-shirts, in windows, on badges and stuck to lamp posts around Dublin and beyond. I’ve often seen it above articles about the referendum in Irish and international press. It was only on the wall in Temple Bar for a couple of weeks but it has spread across the world.
In 2016, Project were told to remove it because they didn’t have planning permission. When the date for the referendum was announced, planning permission was no longer necessary and it went back on the wall. Less than a week later, they were told to remove it again. This time it was the Charities Regulator who had taken issue, and in a very murky reading of the Charities Act deemed the mural not in line with Project’s charitable purpose, and told them their charitable status was at risk if they did not cease “political activity”. Project is an arts centre. Their purpose is to present and develop contemporary art. They presented a mural by Maser, an award-winning artist that has displayed work around the world.
A week after Project received the order from the Charities Regulator, author Una Mullally was told by Dublin City Council that they were canceling her event in the International Literature Festival Dublin. The event was a panel discussion with contributors to Una’s Repeal the 8th Anthology. The anthology is a beautiful collection of stories, poems, essays and photos about the repeal movement and the effect of the 8th amendment. (Available in all good bookshops now!) The reason given by Dublin City Council was that they could not give a platform to one side of a referendum debate. That makes some sense, but the festival programme was announced on April 11th, two weeks after the date for the referendum was set. If Dublin City Council had a problem with the event, why was it programmed? To pull it after tickets were sold feels reactionary and I wonder if the disciplinary action that Project were threatened with affected the decision making process.
But censoring art doesn’t make it disappear. Maser’s mural is everywhere. Since Project painted over (most) of their mural last month (an act that Artistic Director Cian O’Brien described as “defiant compliance”), the image has already popped up on the Amnesty building and currently adorns the windows of Panti Bar. That gorgeous Repeal heart is not going anyway.
The cancelled Repeal event took place last Monday, though not as part of the Literature Festival. Smock Alley Theatre, where is was scheduled to take place, offered to host it as a separate event. I am very glad they did because it was a great discussion. Censorship and gate-keepers came up, as well as stories about people being bullied or shamed into silence by those in power. There were also readings and performances from pieces in the book and it didn’t feel at all like a political meeting.
I’ve been to a few events in the Literature Festival and the referendum has come up more than once. I’ve seen lots of Yes badges and Repeal jumpers on and off stage, perhaps in a show defiance against the cancellation and perceived censorship. Pushing back against censorship is so important. The alternative is a climate of fear that becomes more fearful with each act of censorship and before long, people start to police themselves.
This week, Not At Home, a touring art installation about women who travelled for an abortion, had venues cancel on them days before they were due to exhibit. This is particularly egregious because one of the aims of the piece was to share the stories of women who had been silenced by shame and stigma. Now their voices are being silenced again. The venues quoted the same Charities Act that was used against Project Arts Centre as their reason for cancelling the event. The venues didn’t wait to be told if they were in breach of the law, they pulled out in case it became an issue. In Galway a publicly-funded organisation and two private venues pulled out of plans to present the exhibit. It was supposed to take place at Crawford College of Art and Design’s gallery (in partnership with UCC and Cork Opera House) but the invitation was withdrawn at a late point. The Gallery cited Charities Regulator guidelines and a wish not to “jeopardise” its charitable status or “become a focus for such controversy”.
Does this mean that artists now have to wonder if the art they want to make will be acceptable to venues, or if they might decide it’s not worth jeopardising their charitable status for? What happens if artists don’t feel able to take that risk and instead avoid political issues or “controversial” opinions. It’s not that long ago that talking about abortion or calling for repeal of the 8th amendment was considered a controversial opinion. It’s because people spoke up and refused to be silenced that we get to vote on that issue this week.
Art has to be allowed to be political. It has to be able to explore controversial territory and rail against the status quo. Good art helps spread ideas. It opens minds and helps us see things in new ways. It makes change possible because it shows us new ways of doing and thinking and being. Artists need to be supported and encouraged to do that. We have brave venues that are willing to support risky work but we need more of them, especially outside Dublin.
We should all do what we can to support anyone who speaks up against injustice, whether they are artists or journalists or whistle-blowers. We need to listen to them and do what we can to amplify those voices.
A Yes Vote on May 25th is one way to change the status quo a little bit, and a way to thank those who have spoken out.