This is my fourth and final tv pick for the moment. Our usual (ir)regular blog posts will resume shortly. The Marvelous Mrs. Maisel is a show on Amazon Prime. Now, I don’t like Amazon – I’m a fan of bookshops so Amazon feels like a natural enemy but I also really don’t like how they treat their staff. I don’t use Amazon as a rule. I watched the first series of Mrs. Maisel with a free trial of Amazon Prime and consoled myself with the fact that I wasn’t actually giving them any money. Now I’m in a bit of a bind because I want to watch the second series of Mrs. Maisel (and I really want to see Dietland because I loved the book when I read it last year) and I’m going to end up giving them money and I’m a little bit disappointed in myself for that. I would be very grateful if someone else could please boycott Amazon for the next month on my behalf.
My third tv pick is actually something that was on this year and doesn’t feature the after-life or clones or anything other worldly at all. The Bisexual started on Channel 4 in October and all six episodes are available on All4 in the UK and Ireland, and Hulu (I think) in the US. It’s set in London and revolves around a group of young people but it’s not like the happy, shiny portrayal of adulthood that I grew up on.
My second tv pick is another Netflix show – the wonderfully dark and twisty Orphan Black. This one is definitely not for everyone but if you enjoyed Killing Eve and feel a lack of wise-cracking, murderous women on your tv, you will like Orphan Black. It’s a mix between The X-Files and Buffy the Vampire Slayer with our own Maria Doyle Kennedy playing the Giles role – paternal, bit of a worrier but also a secret bad-ass. It’s full of strong women and government conspiracies; no aliens but lots of dodgy science.
Last summer, while waiting for the new series to start, I rewatched The Good Place and found myself getting a little weepy at one of the late series 2 episodes. It was a Sunday and I was hungover and feeling a bit delicate but also it’s a lovely, heart-felt show with characters that you really care about and definitely worth having a little cry over! Have you watched it? Do you love it?
Since the beginning of June, Project Arts Centre’s Space Upstairs has been occupied by Jesse Jones: Tremble Tremble. This visual arts piece was Ireland’s entry into last year’s Venice Biennale. I wasn’t aware of the Venice Biennale before last year, but I became more and more intrigued by Tremble Tremble, the more I heard about it.
Tickets for this year’s Dublin Theatre Festival go on sale for the general public this morning at 10am and I am making plans – what to see, when to see it, what to book now and what to book later. My early booking is financially strategic; if I don’t book my Festival shows now, I’ll spend all my money at the Fringe and by October I’ll be too broke to see anything.
I really like the Dublin Theatre Festival and I want to see as much as I can. It’s a great opportunity to experience theatre from other parts of the world, as well as seeing big shows from Irish companies. It’s also a chance to see a crazy amount of theatre in a short space of time. Following so quickly after Fringe, this can be a bit head-melting. But in a good way.
Here are some of my early booking picks:
These rooms by Anu & Cois Ceim
This one I’ll definitely be grabbing a ticket for. It’s on in a couple of houses in Dorset Street and capacity is limited. Some shows has already sold out, and I’d be surprised if the entire run isn’t fully booked before the Theatre Festival opens on September 29th. It’s a collaboration between Anu Productions and Cois Ceim and focuses on the experiences of the civilians who were caught up in the 1916 Rising.
Guerrilla by El Conde de Torrefiel
I have my eye on this one because I spend a lot of time in Spain but I haven’t actually seen any Spanish theatre, and this sounds a bit odd and interesting. A lot of the international shows have very short runs at the festival – this one is only on for three performances.
The Seagull by Corn Exchange
This is on in the Gaiety so tickets are unlikely to be gone too soon. I really like The Seagull. I’ve seen it a few times in various productions and I read a couple of different translations for an essay in college. It’s very funny and also has lots of fierce, ballsy female characters in it. Though things don’t generally end well for them and their existence tends to revolve around the men, they are still great characters in their own right. I’m also a big fan of Corn Exchange who make visually exciting theatre. I’m also a big fan of the two (female) cast members announced already – Derbhle Crotty and Genevieve Hulme-Beaman – so I think it will be a hot ticket this year. Tickets for the Gaiety are not cheap, but this play by this company – I think it will be worth it.
Alien Documentary by Una McKevitt
I’ve been hearing bits and pieces about this show for the last couple of years so I’ve very excited to see the finished product. It’s on in The Cube in Project for nearly two weeks. Long run but a small venue and I think it will be popular.
Crisis Meeting by Kriðpleir and LÓKAL Performing Arts
This is a show from an Icelandic theatre company about writing an application for arts funding. I’m curious to see if you can make an engaging show about arts admin and if the company do manage to oscillate “anarchy, sitcom and Beckettian gravity” as their blurb claims. If you don’t fancy the risk on that one, there are a couple of other Northern European shows in the programme – you might prefer the “epic and vaudevillesque” style of Wishful Beginnings by VERK Produksjoner from Norway or the “switch between dance and scattered questioning” is This is Not a Love Story by Swede Gunilla Heilborn.
It’s definitely worth booking something a little bit outside your comfort zone. It’s what festival’s are for!
I have mixed feelings about booking a ticket for A Midsummer Night’s Dream in the Bord Gais. Again, it’s a play that I like and it looks like a fun, playful production but I’m not a fan of seeing theatre in the grand scale of the Bord Gais. I’ve been spoilt by all our wonderful intimate theatre spaces in Dublin.
I’m also on the fence about It’s Not Over, THEATREclub’s vision of The Plough and The Stars by Sean O’Casey. Do I want to see another production of the The Plough? Can I sit through a four and a half hour production of The Plough? I’m not sure.
I’m willing to be persuaded about both of these, and probably most of the other festival offerings. Is there anything else I should have on my early bird booking list? What’s on your list?
Once my body decides it’s nap time I will fall asleep anywhere. Even if I don’t want to. Even if I am struggling to stay awake. I once attempted to nap while sitting on a high-stool in the kitchen at a house party. Someone sensibly put to bed before I took a tumble. I’m not a very sociable passenger because I’m likely to doze off in the passenger seat of the car, or the bus, train or plane. Any trip that’s over an hour long, I will have a little nap. My mum used to make fun of me for sleeping on the bus to and from work everyday. I didn’t see anything wrong with it.
While having a little snooze on the bus is reasonably acceptable, falling asleep in the theatre isn’t really. I don’t go to the theatre intending to fall asleep; it just happens. I’ll be watching a show, enjoying it even, when suddenly my head start to nod and I’m struggling to keep my eyes open. I can’t help it. I might rest my eyes and keep my ears trained on the stage, hoping that the drowsiness will pass, but I know I’ve kidding myself. Once I close my eyes, a cat-nap is not far behind. I’m more likely to fall asleep in matinees than evening performances. Maybe because it’s the perfect set-up for a nap – sitting in a comfy chair, in the middle of the afternoon, with the lights down low, while someone tells you a story. It sounds exactly like nap time! Suddenly falling asleep seems like the only logical thing to do.
Beckett has a particularly soporific effect on me. I’ve dozed off during two different productions of Happy Days, one staring the fabulous Fiona Shaw. I missed Lucky’s speech in Waiting For Godot, because I was asleep in the stalls in the Gaiety, not the most comfortable of seats. Actually maybe I can’t blame the comfortable chairs for my tendency to snooze because I managed a couple of micro-naps during SJ Company’s The Women Speak while perched on a table or a low school bench.
I’m always desperately hoping that no-one notice as my eyes close and my head nods closer and closer to my chest. I’d hate to insult anybody with my inability to stay awake. It’s not you, I want to tell them, it’s me! It’s not a criticism of the production, it’s just that my brain has a hard time concentrating on Beckett for any length of time. It’s trying to find a nice, neat story where there isn’t one and then it shuts down in self-defence. It just needs a little break, it will boot up again in a few minutes.
My poor tired brain found solace in Pan Pan‘s All That Fall. It’s a radio play so closing your eyes is totally acceptable, and with the rocking-chairs and cushions it practically encourages a gentle trip to dreamland. (Napping in the theatre will give you very trippy dreams.) I can’t remember if I fell asleep during All That Fall, probably because I wasn’t struggling against it, I was able to drift in and out of the story without guilt and I really liked that. It’s a radio play that you listen to from your rocking chair, surrounded by lots of other rocking chairs. Light plays an important part of the experience too as it soothes or startles at different points in the play. It’s definitely my favourite way to see/hear Beckett.
All The Fall is on the Abbey stage until the end of this week. For anyone in need of a lunchtime nap, there are €15 euros tickets for the 1pm show, if you quote “Bewley’s Offer” online or on the phone. Go and have a cerebral and completely acceptable nap at lunchtime. Afterwards, you’ll be able to tell everyone that you napped on the Abbey stage.
The Abbey’s symposium Theatre of Change is on this week and I’m really looking forward to it. The full timetable is on their website and there are lots of things I’m really interested in. I’m delighted to see #WakingTheFeminists on the bill and author Emer O’Toole, who will be talking about The Man Problem.
Stacey Gregg‘s talks at the previous symposiums have been fantastic and and I’m sure this year will be no exception. The title of her talk is Genethics, Genomics and Geena Davis and it’s part of a panel called History is Only Tidy in Retrospect, which includes writer and actor Mark O’Halloran and poet, playwright and essayist Gabriel Gbadamosi.
In terms of world events and current affairs, there’s a talk from Lara Marlowe called Fatal Attraction: France and the Middle East and Israeli journalist Gideon Levy will talk about The Israeli Society and the Endless Occupation. On a hopefully more optimistic note, there’s a talk titled Gaza in 2020: A Liveable Place with Ray Dolphin.
I’m also looking forward to the an except of Penny Arcade‘s piece on Thursday evening. Longing Lasts Longer is described as a meditation on what it means to be human that addresses the nature of change, revolution and altruism.
Of course, the events 1916 are also included. The final event of the symposium is Twinsome Minds, a multimedia-performed lecture by Prof. Richard Kearney and Prof. Sheila Gallagher, featuring stories and images from 1916. There is also a staged reading of Jimmy Murphy’s play Of This Brave Time, Jan 20-23 nightly at 8pm. This play is based on eye witness testimonies from those who experienced the events of the rising first-hand. Also in the Peacock, there’s a rehearsed reading of Nancy Harris’ new play Journey to X on Saturday afternoon at 2pm.
There are lots of ticket options for all the Theatre of Change events. You can buy three day tickets for €70/60. Though the Early Bird offer is still available, at time of writing and that’s €50. There are one day tickets available for €30/25 on Thursday or Friday and €25/20 for Saturday. Or you can get tickets for Twinsome Minds on Saturday morning for €10. The Peacock performances have to be booked separately, even if you have a 3-day ticket. They are €6/4 each. All tickets are available from the Abbey website.
Tomorrow, January 6th is Little Christmas, also know as Women’s Christmas or Nollaig na mBan. Traditionally it’s a day for women to gather and go out for the night or host a party for female friends. #WakingTheFeminists have declared it a day to celebrate women and have been encouraging feminists to use the day to plan a get together.
There are events happening all over Ireland, and the world. There’s a list of events on the #WakingTheFeminists website and a few more are popping up on twitter. All events are open to feminists of all genders.
One of the objectives of these gatherings is to talk about what you’d like to change. I’m missing the #WTF events tomorrow because I am going to another Nollaig na mBan celebration in the Irish Writers’ Centre, so here is my list of changes.
What changes would I like to see?
- Gender quotas. As I wrote at the beginning of November, I still think that funding decisions based on gender quotas would help to balance the scales in terms of the number of women making work. Money is a great motivator.
- More stats. I really like the infographics about the number of male and female writers and directors who have worked at the Abbey in the last years. It makes the unbalance very clear and it’s hard to argue with statistics. I’d like to see more information on the people who are submitting plays to the Abbey. When the controversy around the Waking The Nation programme first happened, one of the questions that appeared on social media again and again was “but how many women applied?” Because the Abbey have a policy of accepting unsolicited scripts, and a Literary Dept to read them, it would be interesting to get some information about those playwrights, things like gender, age, location.
- I found Brian O’Bryne’s blogs on childcare and sexual harrassment very interesting to read. There’s obviously a lot of room for improvement in both these areas. I love this piece by Tara Derrington and I would love to see an Abbey creche. As well as catering for actors in rehearsals or auditions, it could also offer childcare options to artists having meetings in the Peacock cafe. Bullying and harassment are against the rules in every workplace but things can be trickier in the theatre, for all the reasons that Brian points out on his blog. The #WTF website includes information on this issue. It shouldn’t be acceptable in any job and it certainly shouldn’t be “part of the job”.
- More feminists in government. I don’t see the #WakingTheFeminists movement as being only about theatre or only about the arts. The aim is more equality in general. Voting for feminists in the next general election (which will hopefully happen sometime this year!) is one way to move closer to that goal.
- It would be great to see an organisation like Women in Film in TV for the performing arts. An organisation that offers support and mentorship to female artists, promotes equality in the sector, provides networking opportunities, gathers statistics and can act as a lobbying body, and with a membership structure to pay for all those things.
What am I going to do?
I’m going to keep talking about it, I’m going to keep supporting female artists (I have tickets for three female driven pieces in First Fortnight – Enthroned, Overshadowed and Alison Spittle Discovers Hawaii) and I’m going to vote for the feminists in the General Election.
Happy Nollaig na mBan and here’s to a more equal 2016!
Sometimes the last few weeks of December can feel like hard work. There’s all those jobs that need to be done by the end of the year; the days that are too short and too dark; there’s so many nights out and so many hangovers and so much rain. Then the holidays come and it’s a relief to just relax in front of the tv or the fire, eating and drinking and sleeping too much; ignoring the fact that soon it will be January when the days will be just as short and dark and the weather just as miserable, but with no Christmas break to look forward to. Instead there’ll just be counting the days until payday and failing to live up to New Year’s resolutions made in happier, more hopeful times.
So it’s a good idea to do something nice for yourself and plan a couple of treats for January. I know I will need something to help me get through that long month. It might be connected to a resolution but it must be something fun. Something far away from that faithful trinity of resolutions – diet, exercise and managing your money. For me, this usually means booking tickets. Last year it was Walworth Farce, which I’d booked in November and definitely brighten up my January! This year, I have tickets for Nollaig na mBan at the Irish Writers Centre on January 6th and the Theatre of Change at the Abbey at the end of January.
I booked my ticket for Nollaig na mBan really early this year because last January, I only got in by the skin of my teeth. (Thankfully sometimes throwing yourself at the mercy of the waiting list works out!) It was a really fun night in the Irish Writers Centre; Una Mulally quoted Constance Markievicz and Tara Flynn managed to be very funny about Ireland’s lack of reproduction rights. Other speakers talked about mental health, being a “lovely girl” and apologising too much. The panel discussion included lots of recommendations of great books by women which I’d forgotten by the time I’d got home because I got carried away by the wine and the Secret Santa-style book-swap at the end of evening. It was a really fun night and I enjoyed it immensely. Sadly it’s already sold out for this January but the waiting list worked out for me last year so it’s maybe worth a try.
The other ticket I’ve booked is for the Theatre of Change, the three day symposium at the Abbey. This was the thing I was most excited about when the new programme was announced in October. I’ve been to the last two and found them fascinating and insightful. (I even did a top five of my favourites panels and presentations from the Theatre of War, with YouTube links.) For this year’s Theatre of Change, I’m hoping for forward-looking, optimistic discussions but I don’t really know what to expect. One of the things I’ve liked about the last couple of years is that the content was surprising; often it was the speakers I didn’t know that I found the most fascinating, and the topics that I didn’t even know I was interested in were where I learnt the most. I know that spending three days in the Abbey listening to a bunch of artists and academics talking may not be everyone’s idea of a good time, but to a giant theatre-nerd like myself it makes me very happy. Tickets are still on sale if you feel the same way. The €50 Early Bird tickets are available until December 31st.
Other January treats
First Fortnight – the mental health arts festival begins on January 1st and there are events happening all over Dublin until January 16th. I’m hoping to see some of the plays that I missed during the Fringe, and maybe some of the visual arts exhibitions and discussions. I’m also looking forward to Enthroned – “a modern fairytale charting a woman’s journey to confirm her right to existence” which takes place in St. Patrick’s Hospital.
What We Call Love: From Surrealism to Now
This exhibition is on at IMMA until the 7th February. Featuring modern and contemporary masterworks from the world’s leading collections by Abramović, Brancusi, Dalí, Duchamp Ernst, Giacometti, Oppenheim, Picasso, Warhol, Yoko Ono, and many more.
Dublin Old School – there are still some tickets available for this show in Project Arts Centre, 12th – 16th of January. I loved it last year – it’s really energetic and manages to be both funny and sad. It was one of my theatre highlights of 2014.
Dublin Film Festival isn’t happening until February but you could buy yourself a gift voucher now and make sure that you definitely go and see something during the festival.
Or if you fancy a bit of self-improvement, you could sign up for a class. This January, the Science Gallery are running short courses on how to make an app, web development and getting to grips with the Raspberry Pi, a tiny but powerful computer. The Irish Writer’s Centre has loads of courses coming up in the New Year, as does the very reasonably priced People’s College.
Whatever you do, do something nice in January.