I spent a lot of time over the last few weeks putting together my application and supporting documents for the Tiger Dublin Fringe. This is the first time I’ve submitted an application. Despite being a long-time fan of the Fringe, and working on a few festival shows, I’ve never managed to take the next step and put in an application of my own. I’ve often thought of applying. I have attended many pre-application workshops and information evenings with a small idea that I thought might grow-up to be a Fringe show. But then the meetings would make me nervous – the amount of information, all the different areas you needed to consider, all the things that could go wrong – it just made me what to hide under the bed. And I would let the fear take hold and the application deadline would pass quietly while I stayed hiding under the bed.
This year was different. I still had The Fear, I still doubted myself and my own abilities and considered throwing in the towel at least once a day, but I was able to talk myself out of it. I feel ready now. The Collaborations show was a huge confidence boost, but I’ve also spent the last three years learning about the amount of work that goes into putting a show on stage and then getting people in to see it. Despite studying drama for many years, these are all things I learnt after graduation. Since I finish my MA in Galway and moved back to Dublin, I produced a couple of shows in the 2013 Fringe, a week-long show in Smock Alley’s Main Space and a dance theatre piece in the Boy’s School. I also worked on a national tour last year with Singlehood. With all that experience under my belt, I feel much more confident in my abilities to make theatre happen.
I’ve had the opportunity to see up-close how shows of different scales, styles and budgets are put together, where the money goes and different ways to sell tickets. I’ve learnt something from every single job. Helping other people is a great way to learn and get experience. I definitely recommend it for anyone who wants to make theatre but doesn’t feel ready yet. Producers are always in demand, particularly around Fringe time. It’s a job that requires good organisation and communication skills, and a good dollop of cop-on. You will undoubtedly feel like you are making it up as you go along – don’t worry, so is everyone else! Signing up for the Fringe’s willing workers list is a good place to start, or just approach theatre companies that you would like to work for and tell them what you have to offer.
I have no idea if my application will be successful but I enjoyed putting it together and thinking about this show that I want to make, and I’m very happy that I finally took the plunge and applied for the Fringe Festival!