Tag Archives: Fringe Festival

Absolut Fringe 2012: Fringe Awards

The Absolut Fringe is over for another year, and what a wonderful Fringe it was! I had another great year volunteering with the festival and saw as many shows as my budget would allow.

The Fringe Awards happened last night in Meeting House Square, which was a wonderful out-door venue this year, playing host to Briefs almost every night of the festival as well as other acts. All the winners and nominations are listed on the Fringe Facebook page and, as usual, the list includes a whole lot of shows that I didn’t get a chance to see.

I’m looking forward to catching a lot of the winners when they come back again. The Lir Revival is a new award this year and the winners are given the opportunity to restage their winning production at The Lir. This year’s winners are Talking Shop Ensemble’s Death of a Tradesman (which also won the Fishamble New Writing Award for Shaun Dunne) and WillFredd’s Farm (which I tried and failed to get tickets for). I’m looking forward to seeing both of those shows when they are staged sometime between now and the end of the academic year. I have yet to see a show at The Lir so I’m looking forward to that too. I was down there a couple of times this Fringe as a volunteer and it seems like a great venue.

Death of a Tradesman is also part of this year’s Galway Theatre Festival which starts on next Monday.

Two more shows that I heard a lot of good things about but didn’t see myself were Paperdolls’ Constellations and Emma Martin’s Dogs. These two shows are closer to dance than straight theatre and both won big awards on Sunday night. Dogs won Best Production and Best Design and Constellations won Spirit of the Fringe. Paperdolls are definitely a company to keep an eye on!

So they are all the shows I didn’t see; I will post reviews of the ones I did manage over the next couple of days. And then we’ll get ready for the Dublin Theatre Festival which starts on Thursday!

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Absolut Fringe 2011: Eternal Rising of the Sun

Eternal Rising of the Sun, by HotForTheatre

Eternal Rising of the Sun was another one-woman show. There were a lot of them in this year’s Fringe Festival and that’s no bad thing, especially when they are as good as this.

It’s a slightly harrowing tale of Gina, a woman who has been used and abused by most, if not all, of the men in her life. But she’s not giving up. She’s taking dance classes, just for herself, just because she loves to dance. It’s an uplifting show in it’s own quiet way.

The show is written and performed by Amy Convoy and follows the success of her first play I ♥ ALICE ♥ I which won the Fishamble New Writing Award in last year’s Fringe Festival and got another run in this year’s Dublin Theatre Festival. It’s a great script, slowly revealing more about Gina as the story goes on. This is exactly how you can imagine you would get to know the character. Amy also gives a wonderful performance. She plays Gina with a sort of contained energy, like there is a whole lot going on inside that we are only getting a glimpse of.

I hope Amy Conroy keeps making wonderful, moving shows like this one!

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Absolut Fringe 2011: Where Do I Start?

Where Do I Start?

Where Do I Start?

Where Do I Start? was a lunchtime show about idenitiy and finding your place in the world. It was a one-woman show and the performer (Nyree Yergainharsian) introduced the show as if it was a seminar or group workshop about figuring out who you are. This clever opening gave context to the piece, acknowledged the audience and encouraged them to ask the same questions Nyree was asking about her own life. It also gave her an opportunity to give us a sense of why she had made this personal piece of theatre.

Nyree tells her story of growing up as an Irish-Armenian and the life she has lived up to this point. What makes this personal story so interesting and engaging for the audience is the simple, entertaining way she tells it. There is a lot of subtle humour and a sense of vulnerability from the performer.

I saw an earlier verison of this show as part of The Theatre Machine Turns You On last February and enjoyed it very much. This verison had more of a clearer shape to it and Nyree also used more physical movement to tell her story. There is a lovely section about how my mum and dad met for the first time that is told almost like a children’s fairytale, with larger than life characters and physical impersonations. Stories from before we are born often seems like family myths, especially when you hear them all the time when you’re growing up.

It was a very pleasant way to spend the hour and Nyree was a charming and entertaining host.

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Absolut Fringe 2011: Autobiographer

Autobiographer by Melanie Wilson

Autobiographer by Melanie Wilson

 

On Saturday morning I left wet, windy Galway behind and headed to Dublin for a day of Fringe shows. My first show of the day was Autobiographer in the Studio Space at Smock Alley. I hadn’t been there since the Theatre Festival last year but I think it’s a great theatre.

I wasn’t really sure what to expect from the show. I was mostly there because I really liked Melanie Wilson’s previous show Iris Brunette. For me, Autobiographer didn’t have the same impact. It was atmospheric and the actors delivered wonderful, simple performances but I left a bit confused by the whole. The four actresses, of various ages, each wearing a flowing blue dress, picked up the disjointed narrative and passed it between themselves. It felt like one woman’s story, told through the many facets of that woman. There were reoccurring images and ideas but no clear narrative. We only saw aspects of this woman, she never really revealed herself to the audience. That was my main problem with the show – it felt disjointed and I wanted more narrative. I wanted to get to know this woman but she kept the audience at a distance. I was a little bit disappointed by the show.

Reviews coming soon for Twenty Ten, THEATREclub’s ambitious retelling of the year and Talking Shop Ensemble’s Do You Read Me?

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Project Brand New shows at the Fringe

There’s a lot of crossover between the Fringe festival and the last Project Brand New this year. Probably because the deadlines for the two events were only a week apart, so a lot of people probably applied for both. And probably there are shows that didn’t make the cut for Project Brand New and vice versa. Not every piece of theatre would fit the criteria for both.

Here are the shows that did:

Delicious O’Grady – the tragicomedy about the famine. I think this was already a fully developed show and we just saw small scenes from it at Project Brand New. It was also very funny!

I Love Guns – I really liked this piece at Project Brand New but feel like I didn’t really get it. It was stark and beautiful and I want to see more of it!

My Life in Dresses – I’ve already mentioned this show and the lovely blog that accompanies it. I saw a poster for the show in Oxfam on Georges Street today, which felt like a very suitable place for this show to be advertised!

My Body Travels – This was one of my favourite pieces from Project Brand New and I am so upset that I’m going to miss the full length version. It’s only on for one night of the Fringe and I am coming back from Italy that evening. The 20 minutes we saw at PBN were completely memorising and I’d love to see how it translates into a hour long show. If you can, go see it on Monday September 13.

Neuropolis – I think this show was still in development when we saw it last May and I’m interested to see what it became after that. It was a strange bit of theatre but very intriguing. Worth seeing just to try and figure out what it was about.

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More opportunities to get involved with the Fringe.

If you would like to get with involved with the Fringe Festival when it all kicks off in a couple of weeks time but you can’t commit to volunteering to the whole festival, or feel that getting naked on stage isn’t really your thing there are still productions looking for volunteers.

Macnas are opening the festival on the Saturday 11th September with “The Wild Hunt and The Sleepwalker – A Nocturnal Ballad”, a spectacular out-door event at Collins Barracks. They have lots of jobs for people who want to help out, including performers who have the ability to “follow directions and be enthusiastic in all weather conditions!” They are also looking for Stage Managers and Stewards, Fire Stewards and Float Operators.

There’s more information on the Fringe Festival website here.

And on the Gaiety School of Acting blog, Playgroup are looking for extras who can sing for their Fringe show Berlin Love Tour. More information here.

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Sneak peak at the Fringe

The full Fringe programme won’t be released until August 18 but there are a few highlights listed in the Project’s latest programme. Along with Trilogy, I am also looking forward to this:

As you are now, so once were we
Why haven’t you read Ulysses? The most important Irish work of the last century is also the most unknown. Why? Spirit of the Fringe 2009 award winner The Company is back to ask you who you think you are, where you think you belong and to re-write one of the most relevant Irish literary works in light of the ways we now communicate with each other. This year The Company rediscovers what it means to be Irish.

The Company had the infuriating and fascinating Who is Fergal Kilpatrick? in last year’s Fringe and I am very interested to see their take on Ulysses. It’s a big, fat book, and an ambitious project to take on, but one with huge scope.

I read Ulysses about ten years ago. (I was going through a Classics phase.) It took me months but I was determined to finish it. I started reading it shortly after I moved to Dublin for the first time, and I think that really helped me to connect with the book. When my aunt drove me back to Dun Laoghaire on a Sunday evening, we would pass the Martello towers at Sandycove. I would see The Morning Star hotel on Amiens Street when I got the train from Connelly and was amazed that it was still there. It made the book seem more real. I will be interested to see what The Company do with it.

Sorcha Kelly’s My Life in Dresses is another Fringe show that I will be looking out for. It was part of the last Project Brand New (fourth one down) and I’m interested to see how the show will develop from that work-in-progress. I’ve also been keeping up-to-date with her blog for the project. Her dresses have been up to all sorts of adventures!

I’m really looking forward to getting my hands on the full programme and finding out what other treats the Fringe has in store!

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Who is Fergal Kilpatrick?

Who is Fergal Kilpatrick? is on in the Project this week. You should go and see it; it’s a very interesting show. I saw it during the Fringe Festival and although I wasn’t blown away by it, I did find it a very interesting hour of theatre.

I think my problem with the show was that it didn’t engage me emotionally. It was very intellectually engaging and it did make me think, even after I left the theatre, but I didn’t feel anything for the characters.

Still a show worth going to see.

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Fringe Awards

I feel like I should finish my Fringe Festival blogging before I can move on to writing about the Dublin Theatre Festival and there are a couple of things that have been thinking about over the last couple of weeks.

The last show of the festival was the Fringe Awards on the Sunday night. Loads of things I hadn’t seen got a mention and won awards but there were a few winners that I had seen. The lovely Camille O’Sullivan won Best Night at the Speilgeltent which was well deserved, though I’m not the most educated judge since hers was the only show I saw at the Speilgeltent!

Who is Fergal Kilpatrick? won one of the Best Show awards. I can’t decide if I liked this show or not. I got under my skin because it was a little bit too clever – things were set up and then the rug was pulled out from under your feet as soon as you felt like you knew what was going on. I liked the ideas behind the show and how they explored and confounded our expectations of theatre. It made me think but it didn’t really make me feel anything. I found it interesting but a little bit irritating. I am interested to see what they do next.

Another award-winning show that I did manage to see wasIris Brunette which was created and performed by Best Actress winner Melanie Wilson. I liked this show a lot and it has stuck with me though it was a strange experience. I feel lucky to have seen it because it played to a tiny audience of 20 in the Player’s Theatre at Trinity. It was a deceptively simple show with no set to speak of and a cast of one. It was almost the exact opposite of Who is Fergal Kilpatrick? – there was no trickery here, it was very much what you see is what your get. The artist cast the audience as other people in her strange dystopia and towards the end involved them in the performance by asking choose-your-own-adventure style questions. This simple show created such a rich world because of the wonderful performance by Melanie Wilson. She created the world through her character – the way she stood and moved and spoke were a result of that world, and as a result, that world felt very close at hand.

The main thing I got from the awards was the sense of community around the Fringe. Some might describe it as clique-y but I think that though it may seem like that from the outside, it is open to newcomers. The same names would come up again and again in the thank you speeches and the atmosphere felt supportive more than aggressively competitiveness. It is a community that I would very much like to be part and my new ambition is to have a show in near year’s Fringe Festival!

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Dublin Fringe Festival

At the beginning of September, I was still getting used to having a full time job again and life was about to get even busier with the start of the Dublin Fringe Festival.

The last time I volunteered for the Fringe was in 2004. I wasn’t in youth theatre any more and it had been a while since I’d been on stage, or done anything theatrical in any way, shape or form. And I missed it. I didn’t realise how much I much I missed it until I started volunteering for the Fringe. I didn’t even last the whole festival because helping out and watching other people have all the fun made me so miserable. I think it was one of the things that finally pushed me towards studying drama.

I was a bit reluctant to volunteer this year because of my miserable experience the last time but I decided it had helped me get on the right path, and I should give it another change. I thought it would be a good way to find out what sort of work was being creating in Dublin, figure out a bit about the different companies in the city and what they’re up to and meet like-minded people.

And it worked out pretty well! I was insanely busy – working all week and then volunteering for 4 hours a day on Saturdays and Sundays, and also trying to make time to go and see a few shows – but I enjoyed it. I did a few different shifts at different venues, working with different people and I had a great time. I had some great conversations with people with goals and ambitions that might be considered unconventional because they don’t revolve around making lots of money, people just like me! People were really easy to talk to and I was reminded of how much I’ve changed over the last four years. I’ve become much more confident and find it easier to start conversations with people I don’t know, I’m more sure of myself and feel that I have something to say that people will find worth listening to. I meet some great people, but I really make any new friends because I didn’t manage to get anyones number or e-mail address. I may be less shy than I used to be but I’m not that ballsy!

My favourite volunteering shift was the Saturday afternoon at Grand Canal Dock for a number of our-door performances. It was a beautiful, hot and sunny day and I was responsible for general crowd-control. I saw some great performances too. There was the physical performances inside a giant tube of water, which managed to be funny and beautiful, the guy “dancing” with a mechanical digger created a wonderful and powerful love story, and there was the two girls who hopped, skipped and jumped along a tight-rope – in high heels! They were untraditional, creative performances that the audience of families and small children loved. It was a really fun day.

I tried to go and see as many shows as I could, and take advantage of volunteer vouchers and concessions, but time-constraints made it difficult. I did go and see Little Gem at the Project with my mum and we both loved it. It was funny and touching and the three actresses were wonderful. I also saw Camille O’Sullivan (and friends) in the Speilgeltent for The Cat’s Meow. That was a great night out as well. I didn’t make it to La Clique, which I’m kicking myself for missing. I’ll definitely try and see it next year.

And just last Friday, I saw a wonderfully, weird show in the Samuel Beckett theatre called “I’m So Close It’s Not Even Funny.” It had a lot of the same themes as my dissertation piece and I think they managed to create the right sort of atmosphere for those themes. There was a lot of very clever multimedia that it reminded me of “Water”. It was a lovely and uplifting piece of theatre.

The last few weeks of theatre and work and running all over Dublin has left me exhausted but I enjoyed it immensely. I’m looking forward to the next Fringe Festival already! And next year, I want to be in it!

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