Tag Archives: festivals

Dublin Dance Festival 2013

After the glorious weather at the weekend, if finally feels like summer’s on its way and with it all the summer festivals. Phizz Fest and the Drogheda Arts Fesitval were on this weekend and next up is the Dublin Dance Festival, from May 14- 26. I don’t go to that many dance shows and I’m not sure I’ve even been to the Dublin Dance Festival before, but I have seen and enjoyed a couple recently (I saw IMDT’s Body Duet at IETM and Cois Ceim’s Touch Me in Galway last year) and I’m also looking forward to Fabulous Beast’s double bill at this year’s Galway Arts Festival.

Egg Charade by Aoife McAtamney & Nina Vallon Image credit: (c) Joan Corres Benito

Egg Charade by Aoife McAtamney & Nina Vallon
Image credit: (c) Joan Corres Benito

I also think the Dance Festival has a particularly strong programme this year and it’s worth a look! (Probably the programme was always excellent, it’s just my taste that has changed!) I am particularly taken by Egg Charade, which includes the following warning: Contains nudity (and bowling).

But there’s a wide variety of shows to chose from. Tickets are mostly around the €20 but some of the shorter shows are €12-15. This includes the shows in the Family Season strand, which all look beautiful and includes Spill – A Playground of Dance, which is free!

There’s also the Dance Deal where if you book 3 or 4 different dance deal shows you get 15% off full price tickets. If you book five or more shows, you get 20% off full price tickets.

There are also dance workshops with dancers performing in the festival. Some of them are limited to dancers or dance students but there are some open classes too.

All in all, a great looking festival!

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10 Days of Dublin 2012

10 Days in Dublin, 5 - 14 July

10 Days in Dublin, 5 – 14 July

10 days in Dublin started yesterday. There will be over 200 performance happening all over the city between now and July 14, including theatre, comedy, music, film and visual art. All or almost all tickets are under €20, there are loads of shows for €5 or €6 and a few free events as well. Have a look at the programmme online or pick one up from their box office on Wellington Quay, just between the Clarence Hotel and The Workman’s Club.

And a special mention to Just Us Four, partly because I have a friend in the cast and partly because after reading Stella Duffy’s brilliant, angry and inspiring blog last week, it feels important to support theatre that puts women on the stage and tells women’s stories. They does both – female playwright and two female cast members tell a story about female friendship.

There are lots of female-led pieces across the 10 Days in Dublin programme, I’m sure something else will. There’s lots of great work being made by men as well! Go out and see something! At the very least, it will get you out of the rain.

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Festival round-up

I keep hearing about all the wonderful things happening at the Galway Arts Festival and feeling like I’m on the wrong side of the country. In case you’re feeling the same, here’s a reminder of all the things going on in Dublin over the next few weeks.

Today is Day 8 of the 10 Days in Dublin – a brand new Dublin festival, which has a great selection of music, theatre and comedy about the city. It’s also very reasonably priced! I think Trinity Orchestra plays DAFT PUNK sounds pretty wonderful, as does Bang Bang’s Forty Coats hosted by Storymap.

And from a festival that’s almost over to one that hasn’t started yet – Made in Temple Bar starts tomorrow and runs until 24 July. The big event tomorrow is High Wire Solo performed by Didier Pasquette in Temple Bar Square at 6.15pm. There are lots of exhibitions and things that are just set up in Temple Bar for the 10 day, such as An archaeology of things not old enough to be interesting, so I’m sure it will be worth wandering through the area over the next few days. I’m hoping to get tickets for The End of the Road, a play written By Gavin Kostick and directed by Louise Lowe and set in Fishamble Street. It’s fully booked but there will be a day-to-day cancellation list in the Project Arts Centre from 5.30pm each performance day. I’ll let you know if I’ve any luck.

Absolut Fringe are launching their 2011 Programme next Wednesday and the Ulster Bank Dublin Theatre Festival will announce their programme a week later. We’ll still have to wait weeks and months for the actual festivals but it’s never too early to start planning what you’re going to see! In the meantime, you can follow them both on Twitter – @dublinfringe and @DubTheatreFest

There is no shortage of great festivals in Dublin at the moment!

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Sneak peak at the Fringe

The full Fringe programme won’t be released until August 18 but there are a few highlights listed in the Project’s latest programme. Along with Trilogy, I am also looking forward to this:

As you are now, so once were we
Why haven’t you read Ulysses? The most important Irish work of the last century is also the most unknown. Why? Spirit of the Fringe 2009 award winner The Company is back to ask you who you think you are, where you think you belong and to re-write one of the most relevant Irish literary works in light of the ways we now communicate with each other. This year The Company rediscovers what it means to be Irish.

The Company had the infuriating and fascinating Who is Fergal Kilpatrick? in last year’s Fringe and I am very interested to see their take on Ulysses. It’s a big, fat book, and an ambitious project to take on, but one with huge scope.

I read Ulysses about ten years ago. (I was going through a Classics phase.) It took me months but I was determined to finish it. I started reading it shortly after I moved to Dublin for the first time, and I think that really helped me to connect with the book. When my aunt drove me back to Dun Laoghaire on a Sunday evening, we would pass the Martello towers at Sandycove. I would see The Morning Star hotel on Amiens Street when I got the train from Connelly and was amazed that it was still there. It made the book seem more real. I will be interested to see what The Company do with it.

Sorcha Kelly’s My Life in Dresses is another Fringe show that I will be looking out for. It was part of the last Project Brand New (fourth one down) and I’m interested to see how the show will develop from that work-in-progress. I’ve also been keeping up-to-date with her blog for the project. Her dresses have been up to all sorts of adventures!

I’m really looking forward to getting my hands on the full programme and finding out what other treats the Fringe has in store!

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Fringe Awards

I feel like I should finish my Fringe Festival blogging before I can move on to writing about the Dublin Theatre Festival and there are a couple of things that have been thinking about over the last couple of weeks.

The last show of the festival was the Fringe Awards on the Sunday night. Loads of things I hadn’t seen got a mention and won awards but there were a few winners that I had seen. The lovely Camille O’Sullivan won Best Night at the Speilgeltent which was well deserved, though I’m not the most educated judge since hers was the only show I saw at the Speilgeltent!

Who is Fergal Kilpatrick? won one of the Best Show awards. I can’t decide if I liked this show or not. I got under my skin because it was a little bit too clever – things were set up and then the rug was pulled out from under your feet as soon as you felt like you knew what was going on. I liked the ideas behind the show and how they explored and confounded our expectations of theatre. It made me think but it didn’t really make me feel anything. I found it interesting but a little bit irritating. I am interested to see what they do next.

Another award-winning show that I did manage to see wasIris Brunette which was created and performed by Best Actress winner Melanie Wilson. I liked this show a lot and it has stuck with me though it was a strange experience. I feel lucky to have seen it because it played to a tiny audience of 20 in the Player’s Theatre at Trinity. It was a deceptively simple show with no set to speak of and a cast of one. It was almost the exact opposite of Who is Fergal Kilpatrick? – there was no trickery here, it was very much what you see is what your get. The artist cast the audience as other people in her strange dystopia and towards the end involved them in the performance by asking choose-your-own-adventure style questions. This simple show created such a rich world because of the wonderful performance by Melanie Wilson. She created the world through her character – the way she stood and moved and spoke were a result of that world, and as a result, that world felt very close at hand.

The main thing I got from the awards was the sense of community around the Fringe. Some might describe it as clique-y but I think that though it may seem like that from the outside, it is open to newcomers. The same names would come up again and again in the thank you speeches and the atmosphere felt supportive more than aggressively competitiveness. It is a community that I would very much like to be part and my new ambition is to have a show in near year’s Fringe Festival!

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Fringe so far.

I am having a very enjoyable Fringe Festival. I’m enjoying my volunteer shifts and seeing lots of shows. I was getting a bit worn-out at the end of last week. By Friday evening I had completely run out of steam – poof, no more steam let, but I took it sort of easy over the weekend and am ready for another busy week.

My first shift was on the first day of the Fringe, Saturday 5th September in the Absolut Fringe Factory in Smock Alley. The Factory is actually quite impressive. It a great tall space and has lots of nice Absolut Art winding up the wall.

Here’s what I’ve seen so far;

Anatomy of a Seagull
I saw this while I was volunteering and I was glad I hadn’t paid for my ticket. I didn’t really like it. I’d seen the National Youth Theatre version of The Seagull at the Peacock the previous week so I was maybe a little bit too familiar with the script. I also found the production too naturalistic for my taste. Possibly Loose Canon’s style is just not my kind of thing but this my problem not theirs. They won Best Production at last year’s Irish Times Theatre Awards for Phaedra’s Love, which I hated. I will give them another try. I’m going to see Jesus has my Mom in there and has beaten her up real bad on Thursday.

This is Not a Drill
I also saw this as part of a volunteer shift and I loved it. It wasn’t one that I was planning to see, I hadn’t even really noticed it in the programme so I’m delighted that I got to see it by change. It was very much my kind of theatre. Beautifully written, dark and funny, it was non-naturalistic and a bit weird. I loved the very clever use of technology (yes I am a big nerd but that kind of thing. I grabbed the director afterwards to find an explanation for some of that wonderful tech.) and repetition that really worked. It reminded me of Forced Entertainment (mainly Speak Bitterness) and Katie Mitchell’s production of The Waves that I saw at the Dublin Theatre Festival last year. I left the performance feeling joyful with a big smile on my face, which is an odd way to leave a show about the end of the world! I saw it again the next night because I had the same shift again, but I was happy to watch it again.

The Blanch
Very funny and sometimes a little bit disturbing. Three actors played I-don’t-know-how-many characters and live music and sound effects were provided by onstage performers, it was fantastic. The characters were a little bit terrifying, especially since the house lights were up for the entire and they did look straight at you. It was wonderfully weird and very contemporary.

Who is Fergal Fitzpatrick
I went to see this show because a couple of people had recommended it to me. And I did like it but I think my expectations were maybe two high. It was interesting and a clever way of looking at theatre, what we expect from theatre and ways to distort these expectations. I think it was a high-concept show that was well executed. It didn’t really have me leaving the theatre with a big smile on my face but it did make me think.

Le Clique
I can’t really offer a full review of this one because I only saw the second half of the show while I was volunteering. What I saw was still fantastic – the physical abilities of the performers is breathtaking, but they are also entertaining! One of my jobs on the night was to look out for people taking photos because this is strictly prohibited. I didn’t see anyone with a camera in their hands. All I could see were rapt faces gazing up at the magnificent spectacles taking place on stage. However, it’s hard to pay that much attention to the audience when there’s a girl being spun around by her partner onstage, he’s on roller-skates and she’s just has her foot hooked around his neck! It sounds impossible but it happened. I was ready to duck, just in case she came flying at me!

Power Point
I saw this on Sunday evening. I think it was probably their 8 consecutive night performing. I got the feeling that the actors were a little off, that timing wasn’t quite right. It felt sloppy to me. It was a strange show anyway – the audience are at a business seminar and the people giving the seminar are a little odd, and having a few problems of their own. I loved the set-up, it’s a great idea but for me, it just didn’t quite work. Maybe I just didn’t get it. There were just too many things happening that didn’t fit together and I left feeling a bit disappointed.

The Legend of Zorroco
This was a one-woman show and I was the preview performance. It was a Spanish nanny who really wants to be the Rose of Tralee. It was very funny and I think it will get better as the week goes on. It had loads of little jokes, mostly at the expense of the Irish, a great story and a sympathetic main character. I really enjoyed it.

Iris Brunette
Another one-woman show but very very different. Where Zorroco was one woman behind a microphone, Iris Brunette had many lighting and sound cues and used the audience to stand in for other characters in the story. It was a slightly troubling tale about love in a weird, post-apocalyptic world. I liked it a lot.

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We Are Here 3.0

I’m really enjoying my time in London. I love working at the Southbank Centre and I really like being in London during the summer, where it has been sunny almost everyday so far!

However I am disappointed to be missing We Are Here 3.0 which is going on in Dublin at the moment. I picked up a brochere for it when I went to see The Wonderful World of Dissocia in the Project a couple of weeks ago. (I liked the play a lot but not as much as I liked God in Ruins, another Anthony Neilson play, that I saw at Christmas.) The brochere describes it as performances that “use cities and their people as source material.”

It looks like a really interesting collection of performances, all of them seem to be non-traditional theatre and a lot use new media in an interesting way. There’s Etiquette, where two people wearing headphones through which they are told what to do and say, interact with each other or In Real Time where two rooms in different countries are connected via video and audio feeds and the performers and the audience in the two cities can interact with each other.

I would be very interested in seeing how they work and I think they are definitely worth checking out if you’re around Dublin at the moment.

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