Category Archives: Workshops

Community Day at Project Arts Centre

If I had to set someone up on a date with a theatre (no, I’m not sure how that situation would arise either but just go with it), I would probably set them up with Project Arts Centre.

Project Arts Centre

Project Arts Centre

If you haven’t yet had the pleasure, Project is the big blue building in Temple Bar. You might have passed on your way to or from Meeting House Square or looked across at it from the Garage Bar. Much as I love the old-school glamour of the Abbey’s red velvet seats or the beautiful contrast between new and old in Smock Alley, Project is still my favourite Dublin theatre. We performed Trilogy there in the Fringe a few years back, so for that reason alone I will probably always have a special place in my heart for it but even without that connection, I would still love it. When I’m bringing people to the theatre, Project is almost always the gateway drug of choice. Tickets are reasonably priced and there is such a wide variety of stuff on, it’s easy to find something they’ll like. It’s a fairly diverse programme and I love that you can walk into the theatre spaces – the Cube downstairs and the bigger Space Upstairs and find them utterly transformed from the last time you were there, even if that last time was only a couple of days ago, which in my case, it often is!

I spend a lot of time there and a fair amount of money too. Luckily there’s the 25% off Early Bird offers and cheap Real Deal nights to help ease the strain on my bank balance because there’s loads on there in the next couple of months which I want to see. The main thing is Man of Valour which I am still kicking myself for missing in the Fringe two years ago, there’s also a ‘re-imagined’ version of Howie the Rookie for one actor, directed by the writer Mark O’Rowe and performed by Tom Vaughan-Lawlor, Sopadeine is my Boyfriend is back for another run in the middle of June and Carmel Winters’ new play Best Man comes here after the Cork Midsummer. They are also playing host to whole heap of shows in the Dublin Dance Festival.

But if you would like a more informal introduction for your first date with Project Arts Centre, you should go along to their Community Day tomorrow. There will be free workshops, guided tours of the building and the current visual-art exhibition, as well as tea and cake. There is a dance workshop at 11.30am with Muirne Bloomer, a workshop in Commedia dell’Arte and mask with Annie Ryan from 12pm and a theatre and performance workshop with THEATREclub at 2pm.

It kicks off this evening with Arena being broadcast live from the Space Upstairs. As far as I know there are still tickets available and the doors open at 6.45pm.

But if you can’t make it to the Community Day, have a look at the rest of their programme of events and make a date to pay them a visit.

Update: The Arena programme all about Project is now up on the RTÉ player and includes contributions from Cian O’Brien, Peter Sheridan and Philip McMahon, as well as some beautiful music from The New Triangle.

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Dublin Dance Festival 2013

After the glorious weather at the weekend, if finally feels like summer’s on its way and with it all the summer festivals. Phizz Fest and the Drogheda Arts Fesitval were on this weekend and next up is the Dublin Dance Festival, from May 14- 26. I don’t go to that many dance shows and I’m not sure I’ve even been to the Dublin Dance Festival before, but I have seen and enjoyed a couple recently (I saw IMDT’s Body Duet at IETM and Cois Ceim’s Touch Me in Galway last year) and I’m also looking forward to Fabulous Beast’s double bill at this year’s Galway Arts Festival.

Egg Charade by Aoife McAtamney & Nina Vallon Image credit: (c) Joan Corres Benito

Egg Charade by Aoife McAtamney & Nina Vallon
Image credit: (c) Joan Corres Benito

I also think the Dance Festival has a particularly strong programme this year and it’s worth a look! (Probably the programme was always excellent, it’s just my taste that has changed!) I am particularly taken by Egg Charade, which includes the following warning: Contains nudity (and bowling).

But there’s a wide variety of shows to chose from. Tickets are mostly around the €20 but some of the shorter shows are €12-15. This includes the shows in the Family Season strand, which all look beautiful and includes Spill – A Playground of Dance, which is free!

There’s also the Dance Deal where if you book 3 or 4 different dance deal shows you get 15% off full price tickets. If you book five or more shows, you get 20% off full price tickets.

There are also dance workshops with dancers performing in the festival. Some of them are limited to dancers or dance students but there are some open classes too.

All in all, a great looking festival!

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Your guide to the IETM Dublin meeting

Last year, Project Arts Centre announced that they would be hosting the IETM Spring meeting. At that time, I knew next to nothing about IETM. I’ve had a bit of a crash course since then in preparation for the Dublin meeting which takes place from April 11 – 14.

IETMIETM_Dublin stands for Informal European Theatre Meeting. The group has changed it’s name to the more inclusive International Network for Contemporary Performing Arts but the original name gives you a better sense of what the whole thing is all about. Like the fact that it’s all about meeting people. IETM is not a conference. It’s a meeting. The aim of the three-day event is for delegates to meet people in the performing arts, in the hope that they will be like-minded individuals that they can form useful and long-lasting relationships with.

A couple of the events in the Dublin programme illustrate this point – on Saturday morning, Day 3 of the Conference there are two early morning events – Run! and Jump!, where attendees are invited to go for a run through Phoneix Park or a swim at Seapoint. This has nothing to do with theatre or the performing arts, but it is a good way to get to know people and a good first step to cultivating a relationship!

Making links with Europe can only be a good thing for the arts in Ireland. Our little island nation can be a bit too inward looking sometimes, or only influenced by British and American culture – people who literally speak our language. I think it’s a good thing to have outside influences coming in to add something new to the mix.

The theme of the Dublin meeting is “Trust” and all the sessions relate to that theme. Some of the ones that I really like the look of are; Are The Performing Arts Driving Us Mad? which is about the mental health of those working in the arts and the role that the arts can play in improving mental health; The Big Debate: How to trust and be trusted which takes place in different venues over the three days of the meeting; another practical one – Trust Circus To Take You Into The Unknown which involves trust games and circus skills and the opening night Reception with the wonderful Pop Ceili. These are all delegate only sessions which means you have to sign up and pay the registration fee to attend. Registration fees start at €75 but you don’t have to be a member of IETM to register for the meeting. This is the Early Bird offer which ends on March 28th. After that the fees double to €150 so if you are planning to attend, register soon! It can be a difficult, time-consuming process so don’t try and do it in a hurry!

All That Fall by Pan Pan Theatre

All That Fall by Pan Pan Theatre

And if, like me you can’t afford the registration fee, there’s still the Artistic Programme, which is open to both delegates and non-delegates. There are five performances – Pan Pan’s All That Fall, Brokentalkers Have I No Mouth, a gig curated by Dylan Tigue called Let the music do the talking and two dance pieces – John Scott Dance’s Body Duets and Fast Portraits by Liz Roche Company. There’s also live art happening in the Cube each evening, which is free and open to non-delegates. Tickets for the other pieces are €10 and available from Project. (Delegate tickets are €6 and available in person only, from April 11th.) Most of these performances are happening in Project Arts Centre, which is the Meeting Place and Hub for IETM which means you get a change to get a sense of the IETM atmosphere and maybe do a little mingling and networking without registering for the full meeting.

You can also get involved as a volunteer, if you have the time to spare. Volunteers are asked for at least 3 days commitment (8 hours a day) between 8th and 14th of April. There are more details here and applications close on Friday, March 22.

I think if you can afford to attend, this is a wonderful opportunity to meet other art practitioners from around Europe and hear what their work practices are like. It’s unlikely that a meeting will be held in Dublin again so this is the year to do it! Who knows who you might meet or what connections you could establish. And for those without tickets, I think it’s worth paying a visit to Project during those three days and seeing the whole thing in action. Again, who knows who you might bump into!

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Free talks and classes

Fingal County Council are running free talks and classes all around Fingal as part of Writing 3.0 – Fingal’s Annual Writer’s Festival. There’s talks from Declan Burke and Thisispopbaby, as well as classes in screen-writing, song writing and rap! The full list of programmes is here and you can book your place here.

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Winter Workshops

Two excellent workshop/classes starting in Dublin next month:

Freedom to Express What Lies Beneath with Actors Training Ireland

Voice and Body Class Inspired by Roy Hart Techniques with Helena Walsh
November 7th to 12th December
Time: 7 – 9pm
Cost: 150 euro
Venue: To Be Confirmed (Dublin City Centre)

This workshop will be a class of play – stretching language to the limits of human voices:
◆  work on ‘wrestling’ text until we’ve squeezed every possible meaning out of it
◆  work on timing, volume, pitch and colour in a playful and surprising way,
◆  moving from sustained sound into the spoken voice to discover what is revealed inside.

Participants are asked to bring a monologue, preferably from Shakespeare – to open up, tear apart and enter in a new way.
This is a highly physical, and we hope, invigorating class. Focus is on the ensemble moving to the individual voice.
Please contact us on: 086 8548885 or e-mail actortrainingireland@gmail.com for further information.

Commedia Workshops with Corn Exchange

Annie Ryan invites you to come for five days of intense and rather terrifying improvisational play with the Corn Exchange ensemble.

Nov 5th – 9th
Leinster Cricket Club, Rathmines
9am to 5 pm
Cost: €225.00

Please send a CV or if we know you already, an update of recent work to hello@cornexchange.ie. Closing date for applications is Thursday, 25 Oct.

Please note that places at the Workshops are strictly limited to 16. Successful applicants will be notified by Halloween.

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Four-day Workshop with Actors Training Ireland

Acting Training Ireland, who I have done workshops with and am very enthusiastic about are doing a four-day workshop in voice and acting at the beginning of June. It’s €200 for 4 full days which is a little bit out of my price-range at the moment but they are very, very good. If you do get a chance to go along, please let me know how you get on!

Here are all the details. Contact details here.

VOICE & PLAY

A four-day workshop

with Helena Wash and Andy Crook

Tuesday 5th June – Friday 8th June

10.00 – 17.00

€200

City Centre Location

This workshop is an exploration of acting using text, voice and improvisation combining the ideas of Jacques Lecoq and Roy Hart. It will be highly physical and playful using the energy of the individual working within the ensemble to challenge and encourage each participant to explore more deeply their craft and purpose as a performer. It will look at how we can be alive and spontaneous whilst being true to a text and connecting and responding to those around us.

Learning to work with our whole body and mind together produces work of depth, colour and great sensitivity. We will focus on wakening ourselves up physically and mentally, sensitising ourselves with others and then connecting to text and to playful situations.

The first part of each session will focus on physical and vocal technique that will open up the body and voice, grounding the actor and preparing for improvisational ensemble work in the afternoon. Techniques are inspired from Feldenkrais, Astanga yoga, Lecoq and Roy Hart.

The second part of each session will be spent on understanding acting through choral voice and sung pieces and through active imaginative play and work on text. Songs will be used to encourage a greater range of expression in the spoken voice and choral pieces will be sung and spoken. The emphasis will be on the physicalisation of song and the word. We will learn to embody the gesture of a phrase, or ground the feeling of a word through clear energised thought and a dynamic articulate and expressive body. This is taken through to the acting with text and improvisation work allowing physical action to take us into the discovery of situation and meaning.

This is a course that is suitable for anyone with some acting experience. Having a trained singing voice is not necessary and the course is designed for actors who would like to explore moving freely from spoken to sung text . The work is challenging but always fun.

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Opportunities for actors

The Abbey are holding General Auditions in the second week of August (10th, 11th and 12th) and they are taking applications until this Friday, July 29th. Although it sometimes seems like the same names and faces appear in every Abbey production, so far this year there have been 16 new faces out of the 66 actors employed on the Abbey and Peacock stages and on tour. This is according to Fiach Mac Conghail (@fmacconghail), director of the Abbey on Twitter today and includes Charlie Murphy who made her début as Eliza Dolittle in the wonderful production of Pygmalion that I never got around to writing about.

Meanwhile, the other big theatre in Dublin 1, the Gate is running a workshop in audition techniques for actors next Wednesday week, August 3rd with casting director Maureen Hughes. It runs from 11am – 5pm and costs €35 which is a much cheaper that a lot of other full day workshops.

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Theatre Production Courses July 2011

Here’s another workshop happening in Dublin this month on theatre production. I did a this workshop with Leonor a couple of years ago and found it very useful. I did it with a small group, and there was a relaxed, informal feel to the workshop which I really liked. It meant it was easy to ask questions and talk about your own work and find out what other people were up to. I got a great deal out of Leonor’s workshop and I also learnt something from the other participants.

I came away with lots of useful, practical information about budgeting and project management, but I also got a sense of what it is like to work as a performer in Dublin. I would recommend it to anyone who is thinking about putting on a show but doesn’t know where to start. E-mail leo.beth@gmail.com for more details.


COURSE CONTENT: Project Management,   Budget & Finance, Dealing with the Press,  Networking for Success,  Front of House, Stage Management, Poster Design, Funding Applications, Applying to Festivals, and Making the Most of Your Show’s Future Opportunities, Touring.

Participants are given handouts on the content, templates of all tables & lists discussed in the course.

The course is delivered over 2 afternoons:
Course 1: July 23 & 24th 2pm to 6pm
Course 2: July 30th & 31st 2pm to 6pm

Cost: €80 (Reduced fees if more than one person from the same production attends. Anyone who has taken the course before is welcome for a refresher at half price)
If you are unemployed, please note FAS has funded previous participants.

Location of courses:  Dublin City (address TBC)

Limited places.

To apply for a place in this course, please email a short biography and brief description of your production plans to: leo.beth@gmail.com

Course Tutor:  Leonor Bethencourt
www.reddresstheatre.com
www.zocorro.com

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Theatre workshops in Dublin this July

There are a few interesting workshops coming up in Dublin this month. A couple geared towards theatre makers and one for performers.

Fantasy Interventions is about writing site-specific theatre but it sounds like it would be useful for kick-starting writing for any kind of theatre. It says that the 3 day workshop will “will concern itself with the initial stages of imagination and conception….while willfully exceeding many ‘real world’ limitations (financial, structural, political, aesthetic, etc).” It’s not all about blue sky thinking however; participants will also have to present their own scenarios on the final day. There are only 10 spaces available and the closing date for applications is July 14. The workshop is on 25 – 27 July and costs €100. Visit the Project Art Centre’s website for more information.

Ahead of the Game is a two-day workshop on interactive performances, theatre games and technology. I think this will be really interesting, partly because I can’t adequately explain what it is about even though I am familiar with this type of performance. I think of it as immersive theatre and associate it with Blast Theory but I think there’s more to it than that! ‘m learning more by following Hilary O’Shaughnessy from Make & Do on Twitter – @PlayFairIrl. The workshop is on July 27-28 in Trinity College Dublin and costs €100 if you book before July 9 and €120 if you book after that date!

And finally Andy Crook and John Dawson are running another Playpen weekend. This will involve comedy improv and more general acting improv with two very good teachers. It’s the only one of the three that’s on a weekend – July 16 and 17, in the FBC building on Abbey Street – and therefore suitable for people like myself who work full time! It’s €90 for the two days.

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Things I’m doing this week

This week I am mostly:

1. Attempting to get the supporting documents for my MA application organised so I can (finally) send them off to Galway. This includes writing a personal statement. Why is it so hard to write 600 words about myself? I should have sent all this stuff off last week but I was waiting for college transcripts from the UK and avoiding my personal statement.

2. Working on this year’s V-Day production of The Vagina Monologues! This should be Number 1 because it’s much more exciting! I am currently casting the show which will be on in The Sugar Club on April 13th. We will be raising money for Ruhama and V-Day and you can expect to hear lots more about that between now and then! If you’d like to get involved, leave a comment or email VDayDublin @ gmail.com. You can also like our Facebook page.

3. Spending lots of time in Project and seeing lots of plays! The Theatre Machine Turns You On, Vol 2 starts tonight! (Project Real Deal – Four plays for €22!) I’m seeing two plays tonight and two or three more at the weekend. I’m hoping to go and see Connected before it finishes this weekend as well.

4. Looking forward to tomorrow’s text class with ATI. First class was last week and I really enjoyed it. It’s made me think a lot about monologues and I’ll try and write down some of those thought here soon!

But for now, it’s back to the dreaded personal statement!

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