Category Archives: Go and see this!

Community Day at Project Arts Centre

If I had to set someone up on a date with a theatre (no, I’m not sure how that situation would arise either but just go with it), I would probably set them up with Project Arts Centre.

Project Arts Centre

Project Arts Centre

If you haven’t yet had the pleasure, Project is the big blue building in Temple Bar. You might have passed on your way to or from Meeting House Square or looked across at it from the Garage Bar. Much as I love the old-school glamour of the Abbey’s red velvet seats or the beautiful contrast between new and old in Smock Alley, Project is still my favourite Dublin theatre. We performed Trilogy there in the Fringe a few years back, so for that reason alone I will probably always have a special place in my heart for it but even without that connection, I would still love it. When I’m bringing people to the theatre, Project is almost always the gateway drug of choice. Tickets are reasonably priced and there is such a wide variety of stuff on, it’s easy to find something they’ll like. It’s a fairly diverse programme and I love that you can walk into the theatre spaces – the Cube downstairs and the bigger Space Upstairs and find them utterly transformed from the last time you were there, even if that last time was only a couple of days ago, which in my case, it often is!

I spend a lot of time there and a fair amount of money too. Luckily there’s the 25% off Early Bird offers and cheap Real Deal nights to help ease the strain on my bank balance because there’s loads on there in the next couple of months which I want to see. The main thing is Man of Valour which I am still kicking myself for missing in the Fringe two years ago, there’s also a ‘re-imagined’ version of Howie the Rookie for one actor, directed by the writer Mark O’Rowe and performed by Tom Vaughan-Lawlor, Sopadeine is my Boyfriend is back for another run in the middle of June and Carmel Winters’ new play Best Man comes here after the Cork Midsummer. They are also playing host to whole heap of shows in the Dublin Dance Festival.

But if you would like a more informal introduction for your first date with Project Arts Centre, you should go along to their Community Day tomorrow. There will be free workshops, guided tours of the building and the current visual-art exhibition, as well as tea and cake. There is a dance workshop at 11.30am with Muirne Bloomer, a workshop in Commedia dell’Arte and mask with Annie Ryan from 12pm and a theatre and performance workshop with THEATREclub at 2pm.

It kicks off this evening with Arena being broadcast live from the Space Upstairs. As far as I know there are still tickets available and the doors open at 6.45pm.

But if you can’t make it to the Community Day, have a look at the rest of their programme of events and make a date to pay them a visit.

Update: The Arena programme all about Project is now up on the RTÉ player and includes contributions from Cian O’Brien, Peter Sheridan and Philip McMahon, as well as some beautiful music from The New Triangle.

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Dublin Dance Festival 2013

After the glorious weather at the weekend, if finally feels like summer’s on its way and with it all the summer festivals. Phizz Fest and the Drogheda Arts Fesitval were on this weekend and next up is the Dublin Dance Festival, from May 14- 26. I don’t go to that many dance shows and I’m not sure I’ve even been to the Dublin Dance Festival before, but I have seen and enjoyed a couple recently (I saw IMDT’s Body Duet at IETM and Cois Ceim’s Touch Me in Galway last year) and I’m also looking forward to Fabulous Beast’s double bill at this year’s Galway Arts Festival.

Egg Charade by Aoife McAtamney & Nina Vallon Image credit: (c) Joan Corres Benito

Egg Charade by Aoife McAtamney & Nina Vallon
Image credit: (c) Joan Corres Benito

I also think the Dance Festival has a particularly strong programme this year and it’s worth a look! (Probably the programme was always excellent, it’s just my taste that has changed!) I am particularly taken by Egg Charade, which includes the following warning: Contains nudity (and bowling).

But there’s a wide variety of shows to chose from. Tickets are mostly around the €20 but some of the shorter shows are €12-15. This includes the shows in the Family Season strand, which all look beautiful and includes Spill – A Playground of Dance, which is free!

There’s also the Dance Deal where if you book 3 or 4 different dance deal shows you get 15% off full price tickets. If you book five or more shows, you get 20% off full price tickets.

There are also dance workshops with dancers performing in the festival. Some of them are limited to dancers or dance students but there are some open classes too.

All in all, a great looking festival!

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Live Collision Festival 2013

The Best of Scottee

The Best of Scottee

I have a complicated relationship with live art. I was exposed to a lot of it when I was studying Modern Drama, both recordings in class and what we were encouraged to go and see. The things we made often had a live art slant to them as well. I don’t always love it, I often really dislike it but I find it an intriguing genre because now and again, something will come along and blow my mind!

My most frequent complaint about live art is that it’s often more interesting for the artist than the audience. This usually involves durational performances or people cutting themselves or putting themselves in danger. I’m always coming at it from a theatre point-of-view so things that show a disregard for the audience really irritate me!

Live art is interesting because it can be so divisive. I’ve come out of a performance feeling irritated and annoyed that these people took my money and then wasted my time with this drivel, while someone else will rave ecstatically about the exact same piece. They will praise it so highly that I’m not sure how they could have possibly seen the same thing I did, even though they were standing next to me at the time.

It can irritate but it also intrigues me and the wonderful, perfect shows are always worth more because of the irritating pieces you sat though before. (And then I will walk out astonished and delighted by what I’ve seen while the person next to me to ready to ask for their money back.) This is all just a long way of saying that I’m looking forward to the <a href=”http://www.livecollision.com/&#8221; target=”_blank”>Live Collusion Festival</a> later this month. It’s been a while since I’ve sat through some truly odd things so I will attending a few shows and trying to work out how I feel about them. And if you’re going to see anything, let me know. It’s always better to go with a pal so you can argue afterwards about what you saw.

Live Collision Festival
It’s a short, blink and you’ll miss it sort of festival from 18-21 April. There are three double bills of work in Project each evening. On the Thursday there’s Dismantelment and Internal Terrains, on Friday it’s Wideawake and The Best of Scottee and on Saturday it’s The Woman Who Walks On Knives and We Used To Wait. Tickets are all €12 / €10. There are also three site specific pieces happening over the few days(Walking:Holding, Dublin’s Fare City and All Limit’s Are Self-Imposed), a free screening on Saturday afternoon called Discussions Without Time Limits and on Sunday night there is a live art party party, with performances at the Workman’s Club. It’s called dis.re.pute and starts at 8pm.

Get involved
If you’d like to do more than just go and see shows, you can do a workshop with “live artist, show off, fat drag queen and attention seeker” Scottee which sounds really fun. The Scottee Workshop is on Thursday 18th April, 3-5pm and costs €20.

There is also a call for artists to take part in Walking:Holding. There is no fee but it is chance to work with artist Rosana Cade on this piece. You will need to have availability from April 16th – 20th. For more information or to register your interest, please contact Niamh McCann – mccann.niamh(at)gmail.com

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Shakespeare at the Abbey

Shakespeare Season at the Abbey

Shakespeare Season at the Abbey

I am really enjoying the Abbey’s Shakespeare Season at the moment. On Wednesday evening, I watched Marty Rea and Derbhle Crotty play various Shakespearean characters under the direction of Abbey Voice Director Andrea Ainsworth. There was a bit of Romeo & Juliet and A Midsummer Night’s Dream; we saw Macbeth and Lady Macbeth plotting to kill the king and Beatrice and Benedict trading insults. It was a very enjoyable hour on the impressive King Lear set that is currently occupying the Abbey stage.

The production that goes along with the set is also a treat. It’s a great cast; Owen Roe is a wonderful Lear in kinglyness and madness, while Beth Cooke demonstrates Cordelia’s strength and tenacity despite her slight frame. I also enjoyed Ciarán McMenamin as the scheming Edward and Aaron Monaghan as his betrayed brother. The production is visually rich and suitably dramatic. It’s a very enjoyable show. There are lots of strong, bossy characters in this one. It’s worth catching before it ends on March 23.

Meanwhile, the Peacock is playing host to writer and performer Tim Crouch and his plays I, Malvolio and I, Peaseblossom. I’ve only seen I, Malovolio so far and enjoyed it immensely. Tim Crouch tell the story of Twelfth Night from the perspective of poor, woe-begotten Malvolio, a minor character in Shakespeare’s play. It’s a show that’s funny and sad and will make you feel guilty and uncomfortable. Go see it – you will not regret. Even if you don’t like Shakespeare or are unfamiliar with Twelfth Night, it doesn’t matter – you will still laugh yourself silly at this show.

I, Peaseblossom is the story of A Midsummer Night’s Dream, as told by one of the fairies. It’s aimed at audience members from 6 years upwards. Both are running until the end of next week and there are evening and afternoon performances.

Treat yourself to some Shakespeare at the Abbey. There really is something for everybody. Book here.

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Theatre Machine Turns You On: Vol 3

The Theatre Machine Turns You On: Vol 3

The Theatre Machine Turns You On: Vol 3

The Theatre Machine Turns You On: Vol 3 is THEATREclub’s festival currently happening at Project Arts Centre. It started last week and is sadly closing this weekend but there is still plenty to see before it ends in a revolutionary bang on Saturday night.

There are four shows on Friday night and three on Saturday, plus the big closing night party. The shows are under different categories – Demotapes are short works-in-progress, New Releases are brand new pieces, LPs are longer pieces and EPs involve established artists trying something different.

Here’s the schedule for the next couple of days:

  Friday Saturday
Demo – 6pm, €6 Postscript Looking For Work
New Release – 7pm, €10 Lippy Lippy
LP – 8.30pm, €12 Madonna Madonna
EP – 10pm, €10 The Churching of Happy Cullen Closing night party

 

There’s also a couple of other things happening around the festival such as Occupy Project Arts Centre where you can go and visit Anna in her nest under the stairs.

And on Saturday night We, the People will be happening at the entrance to Meeting House Square, just up from Project where Speaker’s Corner will be held and curated by Veronica Dyas. Keep an eye on their Facebook page for the list of Speakers.

There’s also the “revolutionary listening party” on Saturday night, which will include new writing from the amazing campaigner Orla Tinsey, a performative response to the festival from THEATREclubs’ Grace Dyas and Shane Byrne and music from Lisa O’Neil and others. And all that for only €12! Book your ticket here.

¡Viva la Revolución!

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First Fortnight 2013

First Fortnight

First Fortnight

First Fortnight is an arts festival that also aims to improve mental heath awareness and help remove the stigma associated with mental health issues in this country. It happens in the first weeks of January, a very suitable time of year when we’re all feeling a little bit under the weather mentally. 2013 will be the fourth year of the festival, which is run entirely by volunteers, and they have a very exciting programme prepared.

Unsurprisingly my top two picks from the programme are theatre but they also have a selection of films, including free shorts in Filmbase at lunchtime, Le Galaxie performing at the Button Factory, a panel discussion in Earlsfort Terrance (also free), The Therapy Sessions which are music and spoken word nights in The Workman’s Club and visual arts in Filmbase. There really is something for everyone and all of it either at a very affordable price or free!

However, the First Fortnight show that you really need to see is Fishamble’s production of Silent. This is Pat Kinevane’s one-man show that has been touring the country to critical acclaim for the last couple of years. If you haven’t seen it yet, you are in for a treat and if you have seen it, I wouldn’t be surprised if you feel it requires a second viewing or have a couple of people that you want to bring along this time around. That’s my plan and I’m sure that there a more than a few people out there who feel the same. It’s on for three nights in Smock Alley (in the Main Theatre, a space which I think will suit the show very well) so book your tickets soon. Get them as a gift for someone – despite being about homelessness, it’s actually a funny, uplifting show and Pat Kinevane’s performance is just wonderful! Go! Bring a friend, maybe someone along who doesn’t think like theatre, or someone who wants to see more plays in the new year.

First Fortnight also offers another chance to see Solpadeine is my Boyfriend in the New Theatre. I missed this when it was on in the Fringe earlier this year, though I did enjoy many of the Solpadeine mints that were part of it’s promotional campaign. I listened to it as a RTE radio play a little while ago and really loved the language and the way the story unfolded. It’s a wonderful fit with that First Fortnight are trying to do. I’ve heard great things from people who did manage to see the live show so I’m looking forward to it. It’s on early in the year – 2-5 January, so you’ll need to be on your toes to catch it!

Book a few shows for First Fortnight – it means you’ll have something to look forward to in the bleak first couple of weeks in January. And having things to look forward to is good for your mental health!

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Theatre on the cheap

As my graduation at the end of November is swiftly approaching, I have to accept that I am no longer a penniless student. I’ve decided to “rebrand” myself as a struggling artist instead. Of course, they are both just nicer ways of saying I’m perpetually broke! As a lot of people are in the same boat at the moment, so here’s some cheap theatre happening in Dublin this week.

  1. A Bucket Full of Fire starts a two week run in Smock Alley this week and tickets for the preview tonight (Monday 12 November) are only €10. It’s a new Irish play from Kilkenny company Sheer Tantrum and is on until November 24.
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  3. TEXT | messages is back at the Project this week, (on Thursday, Friday and Saturday). I missed this Shakespeare experiment last year, so I’m looking forward to it this time around. Nine performances based on 160 lines of Shakespeare’s text will be performed over three nights. Each piece will be around 20 minutes long, each show includes three different pieces and tickets are €5 for each night.
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  5. Taking Back Our Voices is a “theatrical exploration of prostitution and trafficking in Ireland”. It is based on conversations between the performers and women who have first-hand experience of prostitution and trafficking and is produced in collaboration with Ruhama. I imagine it will be a fairly harrowing 40 minutes of theatre, but still very much worth seeing. It’s on in the Abbey on Thursday and Friday this week at 3pm. Tickets are free but advance booking is required.
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  7. And finally for theatre that you don’t even have to leave the house for – Solpadine is my Boyfriend is available as a radio play on the RTE website. Written and performed by Stefanie Preissner, this sold out at the Dublin Fringe and is a sad, beautifully-told story about making changes and growing up.

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Erica Murray talks about Tender Napalm

Sugarglass Theatre‘s last show was the sprawling, immersive, three-hour long All Hell Lay Beneath. Based on Herman Hesse’s novel Steppenwolf, it was part of this year’s Dublin Fringe Festival. It played to sold-out audiences and was nominated for ‘Best Off-Site Performance’ as well as the ‘Spirit of the Fringe’ award. Sugarglass return to the Dublin stage later this month with Tender Napalm by Philip Ridley. This is a play about love and intimacy and the devastating affect they can have on people.

Erica Murray in Tender Napalm

I spoke to Erica Murphy, who plays Woman, about the challenges and rewards that this play offers. Erica spent the summer performing The Life and Sort of Death of Eric Argyle, first at the Edinburgh Fringe and then as part of the Absolut Fringe in Dublin. The show was very well received in Edinburgh and was one of the many sold-out shows of the Dublin Fringe. Erica herself was nominated for a Best Actress award at the Absolut Fringe Awards. She was delighted with the nomination and says that two months later, it still hasn’t really sunk in.

Erica describes Tender Napalm as “an abstract play, about the relationship between two people, encompassing their entire relationship.” It also deals with grief and sadness and the fact that they have fallen out of love with each other. Talking about her first encounter with the play, Erica says “the script is a mountain. Reading it for the first time, I didn’t know what to make of it.” When she started studying it she really fell in love with the writing, particularly the fact that not everything is spelt out for the audience. With only two actors on stage (the role of Man is played by Aaron Heffernan, currently in The Picture of Dorian Grey at the Abbey), they both have a lot of responsibility to the script and to each other. It’s a challenge that Erica really seems to relish!

Erica’s first experience on stage was when “a wonderful woman took a chance on me and gave me a part is the school musical.” Even though she’s not particularly interested in musical theatre now, this was the beginning of her interest in performance. Erica is currently in her final year at Trinity College Dublin where she’s studying for a BA in Drama and Theatre Studies. She is very enthusiastic about Dublin because she says “it’s a very exciting place for theatre, there are a lot of great directors working in Dublin and so much original drama being produced.” She is a fan of new writing, particularly Irish playwrights such as Marina Carr, Mark O’Rowe and Enda Walsh. She says that someday she would to like to be listed as an original cast member in the published script of a brand new play.

Tender Napalm is a dark play, that’s maybe not for everybody. As Erica says “it’s not one I’ll invite my granny too.” However, if you like dark, funny plays that are both moving and engaging, go see it.

Tender Napalm is on at the Project Arts Centre from November 27 to December 8. Tickets for the preview on November 27 are two for one and if you book before November 20, you will get 25% off your ticket price so book now!

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Free talks and classes

Fingal County Council are running free talks and classes all around Fingal as part of Writing 3.0 – Fingal’s Annual Writer’s Festival. There’s talks from Declan Burke and Thisispopbaby, as well as classes in screen-writing, song writing and rap! The full list of programmes is here and you can book your place here.

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Absolut Fringe 2012: Just in Time

Playground

Playground – a collection of immersive and game-based performances.

Just in Time is one part immersive theatre and one part real-life video game. I took part in one of the last testing stages and really enjoyed the experience. It’s fun to imagine yourself as a time-traveller with a secret mission, hurrying down alley-ways and looking out for clues! The people I saw in Temple Bar at the weekend on the same secret mission, all seemed to be enjoying it as well.

Just in Time, which finished on Sunday, was part of the Playground strand in this year’s Fringe. I took part in another Playground ‘performance’ when I put in my headphones and wandered around Grafton Street as part of the subtle mob As if it were the last time.

There are a couple more Playground shows on this week:

My Fair Mot, which promised to have you speaking like a proper Dub by the end of show, sounds both fun and educational!

The other, The Oh Fuck Moment, sounds slightly terrifying to me, but I’m not a big fan of audience participation and I don’t like telling people about my embarrassing stories so I’m not really their target audience! It’s been getting great reviews elsewhere, including a four star review in the Guardian where Lyn Gardner says it’s nothing to be afraid of!

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